Greg Papazian Art

Archival pigment print. 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to be printed and shipp...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Getty Images...

Singspiel, Stallion Portrait 2001 by John Reardon 76 x 51 cm Edition of 5 only Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...

A moment of harmony… male with female, African with Hispanic… joined together in the dance that is Cuba. James Sparshatt’s photographs of music and dance capture the emotion and int...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Chris Smith (b.1937) Everlast silver gelatin fibre based print 30 x 20 in. / 48 x 34.5 in. / 66 x 46 in. signed and numbered printed later This work is available in the following si...

The school of Spanish dance is housed in the upper floors of the Teatro Garcia Lorca in Havana. The wooden floors of the rehearsal rooms are worn and pitt...

Music in Havana is an almost ever present backdrop to life… wandering the streets it is almost as though there is a soundtrack playing to the movie of your life. These school kids...

Chris Smith (b.1937) Ali Versus The Beatles 1964 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in. signed and numbered printed later This work...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...