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Arthur TressBoy in Burnt Out Furniture Store, Newark, New Jersey1967
1967
About the Item
Purchased directly from artist.
Hand printed silver gelatin photograph,.
Mint Condition
Signed and titled in pen on recto.
- Creator:Arthur Tress (1940, American)
- Creation Year:1967
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Carmel, CA
- Reference Number:1stDibs: LU2159213628612
Arthur Tress
Born in Brooklyn, New York, on November 24, 1940, Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Selected Arthur Tress Books and Publications Open Space in the Inner City: Ecology and the Urban Environment. New York: New York State Council on the Arts, 1971. Arthur Tress: The Dream Collector. Text by John Minahan. Richmond: Westover, 1972, New York: Avon, 1974. Shadow. A Novel in Photographs. New York: Avon, 1975 Theater of the Mind. Text by Duane Michaels, Michel Tournier and A.D. Coleman. Dobbs Ferry: Morgan and Morgan, 1976. Reves. Text by Michel Tournier. Brussels: Complexe, 1979. Talisman. Edited by Marco Livingstone. Oxford: Museum of Modern Art, Oxford, 1986. The Teapot Opera. Photographs and text by Arthur Tress. Goro International, 1986, Abbeville, 1988. Male of the Species: Four Decades of Photography by Arthur Tress. Text by Michale Tournier. Fotofactory, 1999. Fish Tank Sonata. Bulfinch, 2000. Arthur Tress: Fantastic Voyage: Photographs 1956-2000. Bulfinch, 2001. Memories. Photographs by Arthur Tress, Poems by Guillaume Apollinaire. 21st,
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limited edition solarization photograph printed by the artist + accompanied by signed artist certificate:
artist signature label (8x10")
signed/editioned/dated/titled by the artist + stamped for authenticity
label is placed centered on verso of the mounted print
__________________
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Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
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Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles.
__________________
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