Gregory Frux Figurative Paintings

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC Jo Cain (1904 – 2003) "Union Square" 24 x 36 inches Oil on canvas, c.1940s S...

Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measure...

Industrial Railroad WPA Mid 20th Century American Scene Rural Modern Realism Large oil on canvas genre painting depicting laborers working on a railroad, with rural landscape in the...

"Ice Sakting" American Scene Social Realism WPA Era Mid-20th Century Modern NYC Syd J. Browne Ice Skating on the Lake in Central Park 22 x 30 inches Oil on canvas. c. 1930s Signed l...

An oil painting of sun rays peeking through a clouded sky at one of the Great Lakes. 28.8 x 41 inches, framed American realist painter Carl Bretzke is particularly adept at noctur...

This piece, "Fishing on Round Lake", is an 11x14 landscape oil painting on canvas by artist James Jahrsdoerfer. Featured is an afternoon view onto a...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...

A quaint depiction of Figures in the snow by the Cabin in the Country. Nemethy uses fine detailed techniques with wonderful impressions. We can feel the warmth of the piece with uniq...

Christopher Clark's (US based) "The Next Stage of Your Journey" is an original, handmade oil painting that depicts a split rail fence among a meadow of tall grasses leading to am autumn colored forest in the background. Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money, as well as headlined “the Whisky A Go Go” and “The Roxy” in Hollywood. Christopher has played trombone since high school, and for the last 20 years has played with all-trombone Christmas band in Orange County, California called the Balboa Bachelors, with whom he has played for the Newport Beach Christmas Boat Parade...

George Picken Playground, Carl Schurz Park, 1938 Signed and dated lower left Oil on canvas 28 x 36 inches Provenance: Estate of the artist A native New Yorker, George Picken was born in 1898. His father, an artist and photographer, emigrated from Scotland; his mother came from Wales. They joined other European immigrants settling in New York City’s Hell’s Kitchen. Picken enlisted in the army during World War I and saw action at Verdun. After the war, he stayed in France and like many Americans returning from the vibrant Paris art scene, was inspired by the radical movement known as Impressionism. Upon his return Picken decided to follow in his father’s footsteps and become an artist. George began his studies in 1919 at the Art Students League during Robert Henri, Max Weber, and John Sloan’s tenure. There he took classes in studio art, illustration, and etching through 1923 studying extensively with George Bridgman. The writings of French philosopher Henri Bergson were widely circulated among the artistic community and looking at Picken’s early paintings one cannot help but wonder if as a young artist he was influenced by Bergson’s ideas. Bergson said, "[There are] two profoundly different ways of knowing a thing. The first implies that we move round the object; the second that we enter into it. The first depends on the point of view at which we are placed and on the symbols by which we express ourselves. The second neither depends on a point of view nor relies on any symbol. The first kind of knowledge may be said to stop at the relative; the second, in those cases where it is possible, to attain the absolute.” Picken’s recognition came early with showings of his work while he was a student. His drawings were published in the New Masses, a significant left-wing publication. The New York Public Library honored him with one-man shows in 1924 and 1928 and his work was included in group exhibitions at the Louis Comfort Tiffany Foundation, the Whitney Studio Club, Montross Gallery, and the Art Students League. During this time Picken married Viola Carton, one of Reginald Marsh’s models, and they lived in Westchester. Later they moved to Yorkville in Manhattan between 82nd street and East End Avenue where they began their family. Picken’s grandson Niles Jaeger recalled that, “Grandpa’s home and studio were in a five-story walk-up apartment, heated only by a coal stove. But there were wonderful views of the East River and the Queensborough Bridge...