Gordon Brown Figurative Paintings

"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern Syd J. Browne (1907-1991) "Summer Pier Fishing" 22 x 30 inches Oil on canvas. c. 1930s Signed lower r...

Serene depiction of an Ohlone Mother and Child walking a forest path by Anton Dahl (Swedish-American). Ohlone Mother and child are walking through the North...

An original mid-century oil painting by acclaimed California artist Jon Blanchette (1908–1987), this tranquil Northern California landscape captures the timeless beauty of the state'...

An oil painting of cars parked along the street, coated with snow. Christmas lights sparkle in the yard behind the cars, a modest ranch house leaves the front porch light on, welcomi...

Presented here is a fine example of a late 19th-century seascape, executed in oil on a metal panel in the traditions of the European marine school. At the centre of the dynamic compo...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped, and hanging from the "Tree of Life," which represents the unique interconnectedness of life. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged, three-headed serpent wraps itself around the tree that both physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Arthur Hoeber Green Landscape, circa 1910 Signed lower right Oil on canvas 25 x 30 inches Provenance Sal Sciarrino, New Jersey Born in New Jersey in 1854, Arthur Hoeber had a natu...

About this work: “Sierra Heights, 1971” by Paul Grimm (1892-1974). A beautiful view of the Sierra Nevada mountains by Grimm, one of the most beloved painters of the California lands...

Artist: Ricardo Cejudo Nogales (Puertollano, 1952) Title: La Albufera de Valencia Year: 1986 Technique: Oil on canvas Canvas dimensions: 65 × 81 cm (25.6 × 31.9 in) Framed dimensions...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Oil PAINTING Antique 19th Century OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century “Good Condition on Canvas " Very Good condition Piece , clea...