Griselda Camacho de Silveria More Art

Sublime mirror by French ceramist Mithé Espelt measuring 26 x 21.5 x 1 cm

Round red lips clay mosaic wall sculpture in high relief composed of individually hand molded and fired ceramic elements. This circular wall relief reconstructs the lips motif throug...

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

"Meditate" by Carolyn Barlock One-of-a-kind Luster and Gold on Porcelain 3x3" each, demitasse teacups with pansy floral design hand-carved, gilt and glazed signed and numbered on th...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Apple topper totem delights the viewer in royal blue with strong color accents. The colums are carved in great detail, yet simplicity prevails. The apple finalizes the design with ir...

Melanie Sherman Bowl with Interior Still Life (Handmade, Mid-Century, Lounge Chair, Stereo Tower, Speakers, Gold Luser) Earthenware, 24K German Gold Luster, Glaze, Underglaze, China ...

Decorative pottery, mimicking barnacles. Surface has a nice texture and color.

Not Available

Midsize colorful ceramic totem in peach, lavendar blue and chartruce give a sweet n peaceful feeling to a garden or interior space. Please note: The base is not included. We will gui...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

This elegant oval bowl by Otto and Gertrud Natzler features one of the couple’s most appealing mid-century glazes: a softly textured robin’s-egg blue with subtle tonal variation. Mea...