Guusje Bertholet Art

Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante chalk on vintage collaged book pages. Artwork measures ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

This unique artwork depicts 'Deep Blue', the largest great white shark ever caught on camera. Hand-drawn in underglaze pencils across nearly 2,900 individually made and hand-glazed t...

A new middle class began to emerge in Colonial America and a migration into urban areas began. Unlike farmhouses, these new homes were elegant two-store homes designed in the new Georgian style, imitating the lifestyle of the upper middle class of England. The interiors consisted of a passageway down the middle of the house with specialized rooms off the sides, such as a library, dining room, sitting room or a primary bedroom. Unlike the multi-purpose space of the farmhouse, each of these rooms served a separate purpose. This new middle class had leisure time to entertain guests. In this sitting room, the Kupjacks have replicated this stately room with upholstered furniture, a working fireplace, decorative ceramics and silver accent pieces. This miniature room is presented in a custom leather bound case with faux books on either end as if it could be placed in a bookshelf. the room can also be installed in a wall. Kupjack Miniatures Late Colonial Sitting Room, Boston MA, 1760, circa 2009 mixed media 14.25h x 28.75w x 15.25d in 36.20h x 73.03w x 38.73d cm KJK003 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Holding the mask rather than wearing it, the figure enters a quiet moment of reflection. Once a symbol of identity, the mask becomes an object of inquiry, revealing the roles, expect...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

Carved and Living” can be interpreted as “I am both what was made before me and what I am becoming.” This work is about identity shaped by the past and defined in the present. The ca...

Original drawing by Patricia Traub.

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

ink on paper, 8"x10" This painting is featured in our current exhibition at the gallery, entitled: "Recollect" a solo show by the artist, Jesse Lambert. Jesse Lambert was bor...

chalk on vintage collaged paper from a book of fables Artwork measures 60 x 32 inches 65. x 35.5 inches framed, deckle edge paper is floated in n...

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Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...