Guusje Bertholet Art

Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante chalk on vintage collaged book pages. Artwork measures ...

Peaceful Misty Riverside in the English Countryside with Cows & Tree Reflections by 20th Century British Artist. Unique Vintage Original, Oil on Canvas, Signed. Art measures 30...

BALS Wim (1973- ) 'The masquerade' Oil on wood. Signed. Certificate on the back signed by the artist. Willem Bals, known professionally as Wim Bals, is a contemporary Belgian paint...

Castlewellan Lake in Northern Ireland by 20th Century British Landscape Artist, Spencer Coleman. Unique Vintage Original, Oil on Canvas...

A new middle class began to emerge in Colonial America and a migration into urban areas began. Unlike farmhouses, these new homes were elegant two-store homes designed in the new Georgian style, imitating the lifestyle of the upper middle class of England. The interiors consisted of a passageway down the middle of the house with specialized rooms off the sides, such as a library, dining room, sitting room or a primary bedroom. Unlike the multi-purpose space of the farmhouse, each of these rooms served a separate purpose. This new middle class had leisure time to entertain guests. In this sitting room, the Kupjacks have replicated this stately room with upholstered furniture, a working fireplace, decorative ceramics and silver accent pieces. This miniature room is presented in a custom leather bound case with faux books on either end as if it could be placed in a bookshelf. the room can also be installed in a wall. Kupjack Miniatures Late Colonial Sitting Room, Boston MA, 1760, circa 2009 mixed media 14.25h x 28.75w x 15.25d in 36.20h x 73.03w x 38.73d cm KJK003 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Tracy Wall's (Colorado, US based) "Hello Dolly" is an original, handmade, mixed media painting that portrays a white horse in beautiful light with contrasting green foliage. The piece is unframed yet ready to hang with gallery-wrapped canvas. As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

untitled (polo player on horseback) Chalk on tan paper, c. 1920 Unsigned Provenance: Gift of the artist William McGill (Keller's student) Image size: 4 3/8 x 5 ...

BALS Wim 'A flat tire' Oil on wood. Signed. A certifcate on the back signed by the artist. Willem Bals, known professionally as Wim Bals, is a contemporary Belgian painter born in 1...

Thane Gorek's (US based) "Bird's Nest, 2 Eggs" is an original, handmade mixed media painting that depicts two baby blue eggs tucked in together in a bird's nest of twigs that resides...

Serenity at Dawn - a beautiful misty morning at a River in the English Countryside by 20th Century British Artist, Spencer Coleman. Unique Vintage Original, Oil on Canvas, Signed. A...

Horses in a Stable Black chalk on tan wove paper, 1896 Signed with the estate stamp lower right corner (see photo) Note: The image has been sqaured off in red chalk grid lines for use in a large painting Dated in charcoal lower right: "23 Nov '96" Condition: Tack holes in the corners small tears and creases along margins Sheet size: 14 11/16 x 16 13/16 inches Provenance: Dr. Ernst Hauswedell Brenner Fine Arts, Inc., New York Alan Stone Gallery, New York "Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced – recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group’s rebirth as the Libre Esthétique, Lemmen’s work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen’s travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new ‘free’ aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l’Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen’s reputation. Museum and Gallery Holdings Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children’s Room (watercolour); Reading; Couture; Young Girl by the Sea...

Flying ladybug Paper, mixed media, 21x30 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris Utans'...