Guy de Rougemont Furniture

A unique combination of materials adorning a hand painted linen canvas would make a great addition to a wall gallery or hung by itself in small wall...

An incredibly rare and charming British Double Crown poster for the 1967 Walt Disney animated classic 'The Jungle Book,' based on Rudyard Kipling's 1894 book of the same name, and th...

Original vintage poster by Bernard Buffet May 1958.

Antique Framed oil painting on canvas by De Kok showcases the artist's firm grasp on creating the tranquility of an intriguing landscape composition using color and contrast resultin...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

CC-tapis Plain rug in 100% bamboo silk, high pile (0.05 cm). Standard measurement is 8 feet x 10 feet. Hand-loomed, 8.3000 knots/sq. ft. Available in light grey and sand. CC-tapis...

Hand knotted in the cc-tapis atelier in Kathmandu, Nepal. The rug is made with cotton weave, Himalayan wool, silk and aloe pile, coming from the areas surrounding the atelier. 125.00...

Ceramic fish Giovanni de Simone 1971 multi-color Picasso style.

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Canvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

One of the main trajectories of French Modernism was dedicated towards a revival of a classical iconography. Motivated from a reaction towards the often rigid and austere mood of the...

In Greek mythology, Medusa, was one of the three monstrous Gorgons, generally described as winged human females with living venomous snakes in place of hair. Those who gazed into her eyes would turn to stone. Medusa was beheaded by the Greek hero...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2.2) Wild coffee tree sculpture with metal base, decorative object. A...