Hans Richter Furniture

Molded copper rondel plaque of the great Flemish Master Peter Paul Rubens. Rubens is depicted in a high-relief bust, facing three-quarters right with a br...

LaVerne etched bronze wall plaque "Tower of Babel" There is a dent on the bottom of left side which is not very noticeable when on the wall.

This unique brutalist wall relief was sculpted with bronzed resin over wood, in the style of Paul Evans, circa 1970s. Incredible textures and col...

A very attractive vintage Olympia wall plaque. There is a thin layer of copper that is embossed with the scene of a gladiator riding a chariot, very mu...

Fishing trophy wooden plaques 19th century Fishing trophy 19th century wooden plaques Two hand carved wooden plaques with 19th century fishing trophi...

1950's wall plaques made of colorfully enameled cast metal in form of stylized wine bottles. Various configurations possible as some are singles while others are doubles and triples...

19th-Century Russian Orthodox Crucifixion Icon with Extensive Church Slavonic Inscriptions A deeply atmospheric and finely detailed 19th-century Russian Orthodox icon depicting the Crucifixion of Christ, executed in the traditional Byzantine manner with extensive Church Slavonic inscriptions and an unusually decorative turquoise and gilt border evocative of cloisonné enamelwork. The icon presents Christ crucified upon a dark wooden cross, flanked by the mourning figures of the Virgin Mary and Saint John the Theologian, all rendered with elongated proportions and solemn devotional expression characteristic of Russian icon painting of the period. The arched upper register bears the title “Распятие Господне” Translated: “The Crucifixion of the Lord.” The cross plaque is inscribed with “І.Н. Ц.І.” The Church Slavonic equivalent of INRI, translating to the following: “Jesus of Nazareth, King of the Jews.” Above Christ appears the sacred Christogram. “ІС ХС” Translated: “Jesus Christ.” Additional inscriptions include: “ЦРЬ СЛВЫ” Translated: “King of Glory.” and likely: “СЫН БОЖИЙ” Translated: “Son of God.” The Virgin is identified by the traditional Greek abbreviation "MR. ΘΥ.” Meaning: “Mother of God.” while Saint John is inscribed. “СТЫ ИОАНН БОГОСЛОВ” Translated: “Saint John the Theologian.” The richly ornamented border with geometric floral motifs provides exceptional decorative presence, uncommon among more austere provincial examples. The reverse retains an old typed collection or import label reading, “Russian Icon of the Crucifixion, 14 in. by 12 in., 19th Century," along with an apparent 1971 import or inventory date stamp, suggesting the work entered the United States through an early dealer, estate, or ecclesiastical collection. Presented on traditional joined wood panel construction with horizontal butons. Surface wear, craquelure, scattered paint losses, edge wear, and age-related abrasions are present throughout and should be viewed as consistent with the devotional use, age, and authenticity of the icon rather than defects. These surfaces contribute to the deeply timeworn spiritual character prized in antique Orthodox icons...

MOCA: This Is Not To Be Looked At. This Is Not To Be Looked At: Highlights from the collection of the Museum of Contemporary Art, Los Angeles Hardcover – April 1, 2008 by Paul Schimm...

The ultimate guide to 25 years of contemporary art, as seen through the filter of the world's leading contemporary art magazine

frieze A to Z of Contemporary Art charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums, photography, pre-historic art and television; and think pieces on broader cultural topics, such as fame, gentrification, nostalgia, and style. The book's content - selected from throughout the magazine's history - offers a guide to this dynamic era of visual culture, revealing the increasing internationalism, popularity, and market dominance of contemporary art.

frieze magazine was set up in 1991 and is the leading magazine of contemporary art and culture. frieze includes essays, reviews, and columns by today's most forward-thinking writers, artists, and curators.

An interesting antique oval plaster relief plaque of a musical putto, dating to circa 1870. The putto or winged cherub is well-captured, with great wings and a shawl on its back as i...

The must-have business guide for all artists, written by the leading specialist in the global art market Written for artists of all levels, ages and mediums the latest book from bestselling author Magnus Resch explores how artists can have a career in the field they love. He answers the most important questions including: How do I find gallery representation? How do I write an artist statement? How should I price my artworks? And what's the best Instagram strategy? Case studies are drawn from interviews with leading experts and practitioners, including artists, gallerists, and curators. It's an invaluable resource to explain the core business principles of being an artist and reveals how to make it in the art market. This must-have guide includes business advice from the art world’s leading experts, such as Hans Ulrich Obrist, Jeffrey Deitch, Simon de Pury, Mera & Don Rubell, Mr. Brainwash, Oscar Murillo, Sean Scully, Peter Halley, Kenny Scharf, Lucien Smith...

You must read this book before buying any artwork – written by the world’s leading art-market economist Navigating the world of collecting can be a tricky process, especially for on...