Jean Dubuffet Furniture

In 1931, aged 29, Jean Royère (1902-1981) resigned from a comfortable position in the import-export trade in order to set up business as an interior designer. He learnt his new trade in the cabinetmaking workshops of the Faubourg Saint-Antoine in Paris. In 1934, he designed the new layout of the Brasserie Carlton on the Champs Elysées and found immediate success, embarking upon an international career that was to endure for nearly half a century. Royère tackled all kinds of decoration work and opened branches in the Near East and Latin America; among his patrons were King Farouk, King Hussein...

Original midcentury abstract art exhibition poster with wonderful vivid colors of blue, red, green, beige, etc... Very decorative, signed by t...

Magritte by Jacques Meuris 1988 1st Edition. First American Edition. Hardcover. Near Fine in Near Fine dust jacket. 233pp 393 illustrations. Blue boards in dust jacket. Translat...

Jean Dubuffet. Cerceaux ‘Sorcellent by Max Loreau. Edition Jeanne Bucher, Editions Beyeler, Paris, 1967. Limited edition of 800 of which this is no. 496. Contains 20 original colo...

DeLorenzo 1950, Jean Prouve/Serge Mouille, 1985 exhibition catalog.

Original Italian art exhibition poster by painter and designer Ferruccio Garopesani. Presented in 1975 at the Galleria International d'Arte - Diorena - Ascona, Italy. A native of ...

Bruce Weber by Bruce Weber. Published by Twelvetrees Press, Los Angeles, 1983. Stated 1st Limited Edition (1/5000) hardcover with dust jacket. Beautifully illustrated with over 50 full-page photogravure plates of male models and actors, a few tinted with halftone colors. Contains subjects: Brothers, Matt...

Book with stiff pictorial wrappers showcasing the work of renowned French designer Jean Royere, with many of the designs in this collection originating from Lebanese commissions. Pub...

OHIO STATE FLAG WITH CIVIL WAR VETERANS' OVERPRINT FROM THE GRAND ARMY OF THE REPUBLIC POST IN COLUMBUS, MADE IN MOURNING OF THE 1925 PASSING OF NATIONAL G.A.R. COMMANDER IN CHIEF DANIEL M. HALL, WHO ALSO SERVED AS COMMANDER OF THE OHIO DEPARTMENT OF THE G.A.R., AS WELL AS THE LOCAL CHAPTER Flag of the State of Ohio, printed on oilcloth-like cotton, affixed to its original wooden staff. Made for Civil War veteran's use, the flag bears a stamped overprint in the striped field that consists of an open wreath of laurel branches, inside which is the following text: “GAR [Grand Army of the Republic] Post, Dan Hall, Columbus, OH”. Born on October 20th, 1842, Daniel M. Hall enlisted with the Union Army as a Private at the age of 18 on August 25th, 1861. On October 8th of that year he mustered into the Co. H of the 2nd Ohio Cavalry. Discharged for disability on June 28th, 1862, he reenlisted approximately 17 months later, on November 11th, 1863, and mustered into Co. F of the 12th Ohio Cavalry at Camp Cleveland. He was at some point promoted to the rank of Sergeant, and, on February 21st, 1864, to the rank of Corporal. He mustered out at Nashville on November 14th, 1865. Hall mustered into the Hamlin Post of the Ohio G.A.R. on May 23rd, 1883. He would go on to serve not only as Commander of the Dept. of Ohio for the organization, but as National Commander of the entire Grand Army of the Republic. The Grand Army of the Republic was the primary veterans association for Union Civil War soldiers. Founded in 1866, its members dressed up in Civil War uniforms, attended parades and reunions, and the organization was somewhat more fraternal in nature than today’s VFW or American Foreign Legion. Flags overprinted for the purpose of advertising are a specialized form in American flag collecting. A flag with a basic G.A.R. overprint is the most common type. This might be accompanied by a post number and a date. More elaborate the overprints are more highly desired, such as this one, which is the only variation I know of that honors a particular person who was not the namesake of the chapter itself. It is of interest to note that a sister variety of 48 star parade flag is known, printed on the same fabric, that bears the same overprint, accompanied by the words: “We Mourn Our Comrade." From the additional text on the 48 star variety, one can extrapolate that the flags were made to mourn the passing of this important leader of Civil War veterans on October 19th, 1925, just one day before his 83rd birthday. The State Flag of Ohio was designed in 1901 by Cleveland architect John Eisenmann, who designed the Ohio building for the state's exhibition at the Pan American Exposition World's Fair in Buffalo, New York. It was officially adopted by the Ohio legislature on May 19th, 1902. It's elements are centered on a red disc, set against a circular white ground that forms a letter "O." This simultaneously represents a buckeye, the fruit of the state tree and an iconic Ohio symbol. The flag's 5 stripes are said to represent the state's waterways and roads, while the triangular shape of the union is said to illustrate hills and valleys. The presentation of 13 stars along the hoist end, arranged in a semi-circular medallion with two off-set stars above and below, reflects the original 13 colonies. The diamond of stars, towards the fly end. bring the overall count to 17 to reflect Ohio's admission. When the design was adopted by the state legislature, the position of these stars was changed slightly, moving them further around the circle to form a wreath. Flag expert Whitney Smith, who coined the term Vexillology in the late 1950's (the accepted term for the study of flags), pointed out that the format of the flag itself was reminiscent of Civil War cavalry guidons, carried by Ohio regiments throughout the state. These were of swallowtail form, though with 13 stripes, all horizontal and 90 degrees to the hoist. Most often these had circular star patterns around an open center, which makes them even more similar to the Ohio flag...

Rare exhibition poster for a Jean Prouvé exhibition at Museum Boijmans Van Beuningen, Rotterdam, 1981. Designed by Daphne Duijvelshoff and printed by Van Setten, this poster reflects...

Art Nouveau by Alastair Duncan offers a lush exploration of this transformative art movement, showcasing exquisite examples of glass, furniture, and jewelry that define its organic e...

Black with silver parade saddle, horsehead on top of saddle horn, matching breastplate. Not maker marked; probably Ted Flowers. Period: Estimate 1950s. ...