Heather Lancaster Art

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

Polar Bear Family [2017] Original Figurative Graphite on paper Image size: H:43.1 cm x W:30.5 cm Complete Size of Unframed Work: H:43.1 cm x W:30.5 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Polar Bear Family was created from my original photographs taken whilst visiting a zoo. Drawn using graphic pencils to recreate the texture of the bears fur. David Truman...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This is a framed original drawing. Humberto Ramirez was born in Guadalajara, México, 1982. Lives and works in Guadalajara. His recent work explores human behavior from primitive perspective...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Marc Swanson The Theatre, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betwee...

Manjit Bawa - Untitled - 6 x 8 inches (unframed size) Graphite on Paper & Pasted on Board. About the Artist 7 his works : Born : July 30, 1941, Dhuri, Punjab. Died : December 29, 2008 New Delhi. Education : 1958-63 Studied at the School of Art, Delhi Polytechnic, New Delhi Exhibitions : Selected Posthumous Exhibitions 2013-14 'Transition', 20th Anniversary Show, Centre of International Modern Art (CIMA), Kolkata 2013 'Ideas of the Sublime', presented by Vadehra Art Gallery at Lalit Kala Akademi, New Delhi 2013 'The Sahmat Collective: Art and Activism in India since 1989', Smart Museum of Art at University of Chicago, Chicago 2012 'Art for Humanity', Coomaraswamy Hall, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai 2012 'Contemporary: A Selection of Modern and Contemporary Art', prsented by Sakshi Gallery at The Park, Chennai 2012 'Crossings: Time Unfolded, Part 2', Kiran Nadar Museum of Art (KNMA), New Delhi 2011 'The Path of the Lotus: Indian Art', Grosvenor Gallery, London 2011 'Lets Paint the Sky Red', India Habitat Centre and Vadehra Art Gallery, New Delhi 2011 'Anecdotes', Sakshi Gallery, Mumbai 2011 'High-Light', presented by Sakshi Gallery, Mumbai at The Oberoi, Gurgaon 2011 'Time Unfolded', Kiran Nadar Museum of Art (KNMA), New Delhi 2011 'Roots in the Air, Branches Below: Modern & Contemporary Art from India...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...