Heinrich Brad Schmidt Art

Seated nude. Washed ink and pencil. Signed and dated 1931.

Nude of Woman Reclined On the Back of a Chair on the Right is an original drawing realized by Gustav Klimt between 1904 and 1906, probably in 1905, as stated in the Catalogue Raisonn...

An important French Expressionist original colored sketch painting of a young nude female by Jules Pascin (1885-1930). This thoughtful original artwork, a sketch circa 1920 done in ...

soft pastel on toned archival heavyweight toned paper. suitable for framing under glass. this is one of the artists ongoing series titled Nudes With Attitude.

Artist: George Grosz, German (1893 - 1959) Title: Sex Scene in Red Shoes (Erotic) Year: circa 1940 Medium: Watercolor, Pen and Ink on Paper, signed Size: 17...

Genre: German Expressionist Subject: Figures Medium: etching, watercolor paint Surface: Paper This is hand signed lower right.. there does not seem to be an edition size although th...

Artist: Charles Levier, French (1920 - 2003) Title: Nudes in Fur II Year: circa 1970 Medium: Watercolor on Paper, signed Image Size: 22 x 16.5 inches Size: 28.5 in. x 22 in. (72.39 ...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 5 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Graphite on paper Signed lower right Description This reclining nude is executed with sculptural sensitivity, the figure’s contours defined by soft gradations of graphite. The body ...

An early work on a series of nude figures that have been part of the artist's extensive body of work. The pastel colors are strong and vibrant with extensive reworking . It i s signe...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...