Henk Stallinga Chairs

Modernist pine chairs. This 1960s chair will add a unique touch to your interior. The chair was barely used, with the seat having been “protected” by cushion.

Nice Gerrit Rietveld 'Crate' chair. This chair is designed in 1934, however, we think this is a Cassina edition from the 1970s. This chair is made out of ash wood and has a colorless lacquer. 'Gerrit Rietveld designed the 'crate' series of furniture built from standardized pine boards – cheap material for packing crates – which were soon well-known as ‘crate furniture’. 'From 1935 on the progressive designs appeared at Metz & Co, where furniture by Rietveld had already been sold since 1930. The crate desk...

This architectural accent chair from the Netherlands, dating back to the 1920s. The design features a bold geometric structure, with solid wooden elements forming a sculptural base. ...

A striking pair of minimalistic lounge chairs crafted in the Netherlands around 1960. These exceptional chairs embody the clarity and discipline of mid-century Dutch design, with a s...

This rare set of 2 chairs was designed for Ahrend RIB in The Netherlands and made in 1964. They are marked with 2 stamps. One of the producer, Ahrend R.I.B. and one stamp with the da...

Brutalist design - deriving from the French word brut, meaning “raw” – is characterised by a deliberate plainness and crudity. It emerged in the mid-20th century and gained popularit...

Verner Panton "Panton Chair" for Herman Miller, The Netherlands 1970

Red patina side chair in "De Stijl" design, the Netherlands 1940s.

Iconic Zigzag chair prototype Netherlands, 1970 73,5 x 39 x 39,5 cm Iconic chair composed by four wooden planks hinged end to end to form an extremely striking example of an unstabl...

This set of chairs was originally designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictusberg located near the Dutch town of Vaals. These easy chairs are in an untouched condition. They are made of pine wood and feature copper nails, giving these pieces an understated, rustic look. The pair is entirely painted grey, including the nails. This specific colour was carefully selected by Whim van Hoof to resemble the original shade as closely as possible. The main focus of van der Laan’s design was functionality and rationality, which is reflected in the openings on the sides and on the backs serve the purpose of joining multiple pieces together, and lifting them. Van der Laan was a leading figure in the traditionalist movement, the Bossche School, that held these values as well. These characteristics make these chairs charming, while also being beautiful pieces of Dutch design history. Although Dom Hans van der Laan left a small body of work behind, his legacy is highly regarded in the world of architecture. The St. Benedictusberg Abbey in Vaals and its interior quickly became his masterpiece at the age of 53. This model is still found in the Dutch church named Sint Willibrorduskerk in Almelo, for which it was possibly designed for in 1964. Condition: In good vintage condition. Wear consistent with age and use. Some small marks and scratches. Dimensions: 25.59 in W, 26.77 in D, 35.43 in H; Seat Height 15.94 in 65 cm W, 68 cm D, 90 cm H; Seat Height 40.5 cm About the designer: Dom Hans van der Laan (1904-1991) was the ninth of the eleven recorded children of Leiden architect Leo van der...

Jurgen Bey "Kokon Furniture" Chaise Longue. Manufactured by Droog Furniture The Dry Tech Project consisted of wrapping desolate furniture with synthetic fibers, creating ...

The Amsterdamse School movement arose in response to the influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. This movement, which took root in Amsterda...