Henri Alexis Schaeffer Art

Sur la Plage by Josine Vignon (French 1922-2022) signed lower right oil painting on canvas, unframed canvas: 20 x 25.5 inches Colors: Yellow gold and warm colors, red, blue and ora...

Le Pont Neuf - Paris. Oil on canvas by Spanish artist Joan Raset. Dimension with frame 84 cm H x 104 cm W x 4 cm D Dimension without frame 73 cm H x 92 cm W x 2 cm D Beautiful Pa...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 40 x 2...

OIL PAINTING Antique 19th Century Fine Quality Piece Gold Gilt frame OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century in a Gold Frame Description. 19th century Piece “Good C...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...

Esther Eddy Hasting (American, 1876-1953) 'Whispers of Autumn Light' Oil on canvas Signed lower right Canvas: 20in H x 24in W In vintage gold gilt frame: 25in H x 29in W In this l...

This colorful late spring scene is most likely around Erie, Pennsylvania. Artist and teacher Joseph M. Plavcan generally painted around the area in which he lived for over 50 years. Joseph Michael Plavcan was born near Pittsburg, in Braddock. He attended the Pennsylvania Academy in 1926, studying with renowned New Hope artist Daniel Garber. Through a scholarship, he went to Europe to study. He returned to Erie in 1932 and became an art instructor, teaching for the next 38 years. Plavcan went far beyond teaching trade school requirements and instilled a true sense of sophisticated artistry in his students. During his artistic career, he exhibited often in Philadelphia, Washington, New York and Chicago. This painting, oil on canvas, demonstrates Plavcan’s style, utilizing figurative abstraction with a modernist color palette. The paint is not over applied and areas are treated with smooth broad brush strokes. The hint of late blooming leaves are dashes of paint applied in a fast yet confident manner. Plavcan’s sense of light, demonstrated in the distant church tower is spot on. While not signed, there are two official estate stamps on the reverse that attest to the authenticity of Plavcan’s work. The piece measures 16” x 20” and appears to be canvas applied to a back board. This was likely done by the former retailer, Hudson House Galleries in Hagerstown, Maryland. That shop was a fine regional art gallery and antiques shop for decades until its closure about five years ago. The painting is nicely framed in a modernist gold wood frame with a subtle pink liner. The overall framed dimensions are about 20” x 24”. The painting is in very good condition, bright and crisp. There is a very minor vertical crease above the peak of the house that is truly barely noticeable from any distance. Other than that, all is fine with the work and its frame. This strong, colorful work by Joseph Plavcan...

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...

This is a very stylized Southwest landscape that appears to document a small church that existed at one time, perhaps in the Palm Springs or Santa Fe area. It is very reminiscent of...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

This large painting is a ca. 1960 copy of a famous Rockwell Kent painting that was executed in Vermont in 1921. The work is oil on canvas and well represents the original image, tho...