Henri-Georges Adam Art

An exquisite original Art Deco period, stylized bronze sculpture of a woman with wavy hair in a medium brown patina. The stamped signature and the date "Antes 1922" is prominently di...

A large unique bronze sculpture by Antonio Kieff (b. 1936) entitled "Motivo Espanol," dated 1985. The sculpture is also numbered 1 of 1.  

Reduction series vessels are process driven collectible design, handmade from solid silicon bronze. Our process is as follows: 1) The blank is hand carved by the designer, reduced from a large block of foam 2) Foam is used as a pattern for cutting of sheet bronze that forms the faceted surface 3...

Capture the elegance and dynamism of the Art Deco era with this French sculpture by Henri Payen, created circa 1920. Titled Greyhound Race, this striking piece perfectly embodies the...

"L'Espace" by Henri Delcambre bronze, stamped at the base.

A large figurative bronze sculpture entitled "Adam's Rib" by Roark Congdon, circa 1990s. The piece is in very good condition with a great patin...

Fantastic detailed motorcycle bronze desk piece. Very nice Automobilia sculpture. Figure with brown patina. Mounted over a Portoro Italian marble. Pe...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

Ugo La Pietra "Mediterranean Table" 1992 ceramic table Large table/sculpture with three-dimensional ceramic top modeled by hand, depicting the Italian Mediterranean landscape with rivers, valleys, woods, hills, gardens, squares, the variety of Mediterranean vegetation. Terracotta molded...

This sculpture features a bold, ritualistic silhouette—a flared, altar-like base supporting a vertical shaft capped by a voluptuous, continuous loop handle. The surface is enriched w...

Sculpture décorative contemporaine – pièce unique

Windisch & Cole 2145 The edition of 250 was published by Associated American Artists, and this impression is signed, titled, and numbered, in pencil. Francisco Toledo (1940-2019), a ...