original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on...
Lithograph
$9,000
H 22 in W 18 in
Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho
By Albert Al Hirschfeld
Located in New York, NY
Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...
Lithograph
$1,495
H 18.25 in W 24.5 in D 1 in
Original Spanish Abstract Surrealist "Star Scene" Colored Lithograph
By Joan Miró
Located in Portland, OR
Original color abstract surrealist lithograph by Joan Miro, Spanish (1893–1983), titled "Star Scene", 1969. A bright and bold composition by the Spanish master of surrealism, Joan Mi...
Color, Lithograph
Surrealist Color Lithograph Obra Inèdita Recent VIII
By Joan Miró
Located in Portland, OR
An original numbered colored lithograph, by the Spanish abstract surrealist, Joan Miro (1893-1983), tilted "Obra Inèdita Recent VIII", 1964, edition 95/100, monogrammed in plate Mir...
Lithograph, Color
$2,800
H 27.5 in W 21 in
Robert Rauschenberg - Rare 1960s Musee D'Art Moderne de la ville de Paris poster
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not signed Accompanied by Certifica...
Lithograph, Offset
$1,450
H 32.5 in W 25.25 in D 0.75 in
Walter DuBois Richards Mt Lassen Landscape American Realist Lithograph Print
By Walter DuBois Richards
Located in Denver, CO
This dramatic Mt Lassen landscape lithograph print by Walter DuBois Richards captures the powerful scenery of Northern California’s volcanic Cascade Range. Rendered in bold black-and...
Lithograph
$2,200
H 25.5 in W 31.25 in D 1.25 in
Kenneth Miller Adams “Card Players” Signed Lithograph, 1959
By Kenneth Miller Adams
Located in Denver, CO
A compelling mid-century American Regionalist lithograph by Kenneth Miller Adams (1897–1966), titled Card Players and created circa 1959. This expressive figurative print depicts a group of men gathered around a table during a card game, capturing a quiet moment of concentration, camaraderie and everyday American life. Adams uses strong draftsmanship, expressive line and a carefully structured composition to give the intimate interior scene a distinctive sense of character and atmosphere. The figures are arranged around the central table, creating a tightly composed image in which gesture, posture and interaction become as important as the subject itself. Card Players exemplifies Adams's connection to American Regionalism and modern American figurative art, movements that often celebrated ordinary people, working life and distinctly American settings. His approach combines observational realism with a simplified, graphic quality particularly well suited to the lithographic medium. Kenneth Miller Adams was an important figure in the Taos and New Mexico art communities. Born in Kansas, he studied at the Art Institute of Chicago and the Art Students League in New York before traveling in Europe. Encouraged by fellow artist Andrew Dasburg, Adams moved to Taos in 1924 and remained there for twelve years. He became the youngest and last member of the Taos Society...
Lithograph
$1,000
H 33.75 in W 23.75 in D 0.3 in
Lincoln Center Film Festival Poster Hand Signed by Ivan Chermayeff vintage frame
By Ivan Chermayeff
Located in New York, NY
Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...
Lithograph, Offset
France - Saint Remy en Provence
By Roger Bezombes
Located in Boca Raton, FL
This vivid poster by Roger Bezombes presents an expressive, color-saturated vision of Saint-Rémy-de-Provence, capturing the intensity of light and atmosphere that has long inspired a...
Lithograph
Ariadne
By Max Bill
Located in New York, NY
City Theatre matinee- 24 April 10:45 - dance studio wuff, basel (includes notice of postponement of a ballet by Satie and Picabia and a statement of aesthetics in small type) Zurich. Letter press...
Lithograph
Thermogene Large - Cappiello
By Leonetto Cappiello
Located in Boca Raton, FL
This striking French advertising poster for Le Thermogène was created by Leonetto Cappiello (1875–1942), the pioneering Italian-born artist often regarded as the father of the modern...
Lithograph
$985
H 30.5 in W 23.13 in
ERTE "Summer Breeze" 1978 Serigraph on wove paper Hand Signed & Numbered
By Erte - Romain de Tirtoff
Located in Philadelphia, PA
Erte Summer Breeze Serigraph in colors on wove paper 30 1/2 x 23 1/8 in. 1978 Artist Proof Signed and numbered in pencil Circle Fine Art Corporation, Chicago - Publisher
Lithograph
$1,200
H 24 in W 20 in
Angel More from the Mother of Us All, Pop Art Lithograph by Robert Indiana
By Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana Title: Angel More Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition 8 of 150 Paper Size: 24 x 20 inches Printer: Fernand Mo...
Lithograph
original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...
Lithograph
original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...
Lithograph
Sold
H 31 in W 24 in
Henry Botkin Fauvist Expressionist Portrait Old Man Oil Painting WPA Artist
By Henry Botkin
Located in Surfside, FL
Henry Botkin (American 1896 - 1993) Abstract oil painting on canvas mounted to board Portrait of Old Man in Period Frame. Hand signed by the artist. Frame measure 31 inches x 24 inches, canvas measures 24 inches x 18 inches Mid century American Modernist Henry Botkin (1896-1983) born in Boston, Massachusetts, was an American abstract, modern and expressionist painter and illustrator; he was known for his Ashcan figure-views, still lifes, and non-objective paintings. He was active in artistic circles, served as president of four major art organizations (Artists Equity Association, American Abstract Artists, Group 256 Provincetown, and Federation of Modern Painters and Sculptors), and in 1955 organized the first exhibition of American abstract art at the Museum of Modern Art in Tokyo, Japan. He was an illustrator for The Saturday Evening Post, Harpers, and The Century Magazine. Botkin was a cousin and close friend to composers, George Gershwin and Ira Gershwin. His work had a school of Paris period, a cubist period and an Abstract Expressionism period. After training at the Massachusetts College of Art, Botkin moved to New York City. He took classes in drawing and illustration at the Art Students League of New York and worked as an illustrator for Harper’s, The Saturday Evening Post and Century magazines. In the late 1930s Botkin changed his approach to painting, moving from the School of Paris Modernism and cubism that he had adopted after he left Boston. Botkin was known for painting the theater, still lifes, landscapes, and low-country blacks in a romantic manner that some criticized for lacking social realism. By the late 1940s he had turned to abstraction in oils and collage. He grew an interest in collage in the early 1950s, which dominated his work until the 1960s. He also organized the sale of five hundred and forty paintings at the Whitney Museum of American Art in New York, 1959. Botkin spoke on the radio, “The Voice of America,” television, lead panel discussions throughout the country, and lectured and taught privately in New York, California, and Provincetown, Massachusetts. Botkin was a cousin, close friend, and painting teacher to Gershwin. Gershwin collected many of Botkin's paintings, which people said corresponded in mood to Gershwin's music. Martha Severens wrote in her book, The Charleston Renaissance, "The interaction between the two cousins was a dynamic one, and Botkin created paintings that reflect Gershwin's music. Correspondences are found in subject and in style. Both had a genuine interest in African-American culture that preceded their visit to Folly Beach...
Oil, Board
Clown with Orange Wig
By Henry Botkin
Located in Plano, TX
Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...
Oil