original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on...
Lithograph
$7,830
H 60 in W 44.75 in
20th century color lithograph poster cartoon Snoopy animal print dog bird text
Located in Milwaukee, WI
"Snoopy Come Home" is an original lithograph poster by Charles Schulz. It features the popular characters from Peanuts, Snoopy and Woodstock, on top of ...
Lithograph
$625
H 23 in W 19.25 in
19th century color lithograph realist portrait female subject sepia signed
By Lucien Levy-Dhurmer
Located in Milwaukee, WI
"Belle D'Antan" is an Estampe Originale, originally published in "L'Estampe Moderne Volume I," created in 1897. It features a portrait of a woman in sepia. The artist signed the piec...
Color, Lithograph
$10,125
H 63.625 in W 47.625 in
"Bonal, " Original Lithograph Poster by Adolphe Mouron Cassandre
By Adolphe Mouron Cassandre
Located in Milwaukee, WI
"Bonal" is an original lithograph poster by Adolphe Mouron Cassandre. It features an abstracted figure drinking Bonal Gentiane Quina, a cocktail or aperitif, which, consumed before a...
Lithograph
$2,200
H 22.125 in W 14.125 in
"Listen (Dust is the Only Secret), " Mixed Media signed by Lesley Dill
By Lesley Dill
Located in Milwaukee, WI
"Listen (Dust is the Only Secret)" is an original lithograph with nylon string by Lesley Dill. The artist signed the piece lower left. It depicts the silhouette of a man constructed ...
Nylon, Mixed Media, Lithograph
$6,550
H 57.25 in W 41.125 in
"Rayon des Soieries, Opera Bouffe en un Acte, " Litho Poster by Maurice Dufrene
By Maurice Dufrêne
Located in Milwaukee, WI
"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...
Lithograph
Pour Daniel-Henry Kahnweiler Figure in Landscape
By Yves Rouvre
Located in Milwaukee, WI
"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...
Lithograph
$3,480
H 19.25 in W 23 in
"La Chatelaine, from 'L'Estampe Moderne, '" Lithograph by Charles Doudelet
By Charles Doudelet
Located in Milwaukee, WI
"La Chatelaine" is a color lithograph by Charles Doudelet. The artist's name is printed lower right. This piece, featuring a wealthy woman on a white horse surrounded by dogs, was published in the Art Nouveau publication L'Estampe Moderne. 15 3/4" x 12" art 19 1/4" x 23" frame Belgian painter, sculptor, illustrator and stage designer. He studied music at the Koninklijk Muziekconservatorium and sculpture at the Gewerbeschule, Ghent (after 1877). He visited Paris in 1887 and Italy in 1890, with a grant from the city of Ghent. He was deeply impressed by the masters of the Quattrocento, and was encouraged to take up painting after meeting Constantin Meunier...
Lithograph
$2,250
H 19.25 in W 16.5 in
20th century lithograph realism figurative female print female subject signed
By Maximilien Luce
Located in Milwaukee, WI
"Woman Manicuring Her Nails" is an original lithograph by Maximilien Luce. The artist signed the piece lower right and it is numbered (#7). It features a woman seated in an interior taking care of her nails. 8 1/4" x 5 3/4" image 14 1/8" x 10 3/4" paper 19 1/4" x 16 1/2" frame Maximilien Luce (1858 – 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Gausson and Cavallo-Péduzzi introduced Luce in about 1884 to the Divisionist technique developed by Georges Seurat. This influenced Luce to begin painting in the Pointillist style. In contrast to Seurat's detached manner, Luce's paintings were passionate portrayals of contemporary subjects, depicting the "violent effects of light". In addition to Pissarro and Signac, he met many of the other Neo-impressionists, including Seurat, Henri-Edmond Cross, Charles Angrand, Armand Guillaumin, Hippolyte Petitjean, Albert Dubois...
Lithograph
$5,750
H 26.25 in W 41.625 in
"French Air Show with Remarque of Head of Pilot, " Lithograph & Stencil by GAMY
By Marguerite Montaut
Located in Milwaukee, WI
"French Air Show with Remarque of Head of Pilot" is an original lithograph and stencil print by Marguerite Montaut (GAMY). It depicts an early airplane flying above a crowd of specta...
Lithograph, Stencil, Ink
$1,700
H 15.75 in W 12 in
"H. L'Illusion (L'Estampe Moderne I), " Color Lithograph
By Henri Bellery-Desfontaines
Located in Milwaukee, WI
"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate. 15 3/4" x 12" art Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher. During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry. From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...
Lithograph
$9,459
H 22.05 in W 29.93 in
Costumes for Tristan Fou, Flower Women - Original Signed Lithograph (Field 70-2)
By Salvador Dalí
Located in Paris, IDF
Salvador Dali (1904-1989) Costumes for Tristan Fou: Flower Women, 1970 Original lithograph (Desjobert workshop) Signed in pencil Numbered X / XXV copies On Japanese paper, 56 x 76 c...
Lithograph
$6,960
H 23 in W 19.125 in
19th century color lithograph portraits patriotic American stars flags
By Nathaniel Currier
Located in Milwaukee, WI
"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...
Lithograph
original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...
Lithograph
original lithograph
By Henry Botkin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...
Lithograph
Sold
H 31 in W 24 in
Henry Botkin Fauvist Expressionist Portrait Old Man Oil Painting WPA Artist
By Henry Botkin
Located in Surfside, FL
Henry Botkin (American 1896 - 1993) Abstract oil painting on canvas mounted to board Portrait of Old Man in Period Frame. Hand signed by the artist. Frame measure 31 inches x 24 inches, canvas measures 24 inches x 18 inches Mid century American Modernist Henry Botkin (1896-1983) born in Boston, Massachusetts, was an American abstract, modern and expressionist painter and illustrator; he was known for his Ashcan figure-views, still lifes, and non-objective paintings. He was active in artistic circles, served as president of four major art organizations (Artists Equity Association, American Abstract Artists, Group 256 Provincetown, and Federation of Modern Painters and Sculptors), and in 1955 organized the first exhibition of American abstract art at the Museum of Modern Art in Tokyo, Japan. He was an illustrator for The Saturday Evening Post, Harpers, and The Century Magazine. Botkin was a cousin and close friend to composers, George Gershwin and Ira Gershwin. His work had a school of Paris period, a cubist period and an Abstract Expressionism period. After training at the Massachusetts College of Art, Botkin moved to New York City. He took classes in drawing and illustration at the Art Students League of New York and worked as an illustrator for Harper’s, The Saturday Evening Post and Century magazines. In the late 1930s Botkin changed his approach to painting, moving from the School of Paris Modernism and cubism that he had adopted after he left Boston. Botkin was known for painting the theater, still lifes, landscapes, and low-country blacks in a romantic manner that some criticized for lacking social realism. By the late 1940s he had turned to abstraction in oils and collage. He grew an interest in collage in the early 1950s, which dominated his work until the 1960s. He also organized the sale of five hundred and forty paintings at the Whitney Museum of American Art in New York, 1959. Botkin spoke on the radio, “The Voice of America,” television, lead panel discussions throughout the country, and lectured and taught privately in New York, California, and Provincetown, Massachusetts. Botkin was a cousin, close friend, and painting teacher to Gershwin. Gershwin collected many of Botkin's paintings, which people said corresponded in mood to Gershwin's music. Martha Severens wrote in her book, The Charleston Renaissance, "The interaction between the two cousins was a dynamic one, and Botkin created paintings that reflect Gershwin's music. Correspondences are found in subject and in style. Both had a genuine interest in African-American culture that preceded their visit to Folly Beach...
Oil, Board
Clown with Orange Wig
By Henry Botkin
Located in Plano, TX
Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...
Oil