Henry Charles Woollett Paintings

Soulmates," a poignant work by Rudolf Kosow, tenderly illustrates the profound bond shared between a dog and a human. In this intimate portrayal, the dog's gaze is imbued with an emotional depth that transcends the boundaries between species. Its eyes, rendered with striking clarity, convey a world of understanding and companionship. The lady, is nestled against the dog's face in a pose that suggests a mutual trust and shared existence. This closeness speaks to a relationship that goes beyond the conventional pet-owner dynamic, hinting at a deeper, spiritual connection—a true meeting of souls. In Kosow's vision, the concept of soulmates expands, encompassing the idea that our most understanding and compassionate partners may not be human at all. The painting's title, "Soulmates," encapsulates the notion that kindred spirits are connected not by words, but by the heart and soul, through gestures of love and moments of silent understanding. With "Soulmates," Kosow invites us to contemplate the essence of connection and the forms it can take. It's a celebration of the unspoken bond that animals and humans can share, an acknowledgment that the purest forms of love and understanding sometimes require no language. This piece serves as a beautiful reminder of the loyalty, comfort, and unconditional acceptance that define the most precious of life's relationships. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

"Cuddly," a charming painting by Rudolf Kosow, depicts a tender and affectionate moment between a dog and its human companion. The dog’s face, with soulful eyes and a furrowed brow, is portrayed in stunning detail, conveying a sense of gentle wisdom and patience. A small lady figure, fitting perfectly within the curve of the dog's face, leans in close, as if finding comfort and protection in the animal’s embrace. The gesture of the figure, with a hand delicately placed, highlights the trust and love inherent in this bond. This piece beautifully encapsulates the warmth and security that pets provide. Kosow's artwork celebrates the simple, heartwarming connections that form the cornerstone of our relationships with our animal friends, reminding us of the comfort and joy found in their company. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Bright interior of ancient house with fireplace and white cat Luisa Albert was born in Turin, Italy where she currently lives and works. In 1989 she enrolled at the Istituto Europeo...

Portrait of the Long-Haired Black Labrador, 19th Century, English School This distinguished portrait of a long-haired black Labrador is attributed to the circle of John Ferneley (18...

Raimond Louis Lecourt French ( b.1882 - d.1946 ). Chevaux À L'Abreuvoir, 1908. (Horses At The Trough). Oil On Canvas. Signed & Dated 1908 Lower Left. Image size 14.2 inches x 17.3 in...

William Gislander (1890-1937) Swedish Title: Landscape With Ducks oil on canvas signed and dated William Gislander 1934 canvas dimensions 25.98...

A delightfully charming oil study of four terrier puppies curious over a prickly acquaintance on the farm. Signed by the artist to the lower left. On board.

Technical details of the painting - Title: "The Vagabond and His Dog" - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions (without frame): 10.6 x 11....

This large superb British Old Master horse portrait oil painting is by noted artist John Boultbee. Painted circa 1790, the composition is a beautif...

"Wanderers" by Rudolf Kosow is an evocative painting that captures the kindred spirit of the traveler and the wild. A coyote, poised and attentive, gazes upward, its fur rendered with fine, delicate brushstrokes that give it a soft, ethereal quality against the blue canvas. The wolf's eyes, alight with a sense of knowing, seem to look beyond the confines of the canvas, into a distance only it can see. Below, a human figure with a ukulele, lost in the music, embodies the essence of a wanderer, his song rising to mingle with the untamed essence of the wolf. Both figures, though disparate in their nature, share a moment of connection through their mutual embrace of freedom and exploration. Kosow's "Wanderers" speaks to the universal call of the wild that resonates within us all, a call to seek, to explore, and to express. It's a celebration of the souls that roam with a song in their heart, finding harmony with the wilderness around them. This piece invites us to reflect on our inner wanderer and the paths we tread, both in the physical world and in the vast landscapes of our imagination. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Roger Lersy, French (1920 - 2004) Oil on canvas Signed, R. Lersy, dated 1961 lower right Measuring 35 X 31 Matted and framed. sight 26 X 21.5 Roger Lersy was born in Paris, France 1920, in the rough neighborhood surrounding Place Pigalle. His youth was marked by extreme poverty. Lersy studied art and music at the École des Arts Apppliqués. He was a painter, lithographer and musician-composer He belongs to the École de Paris and was a member in the movement of the Young Painting. By 1946, when he first exhibited in Paris, Lersy became one of the founders of the School of Paris’ New Graphic School. Lersy received the Prix des Amateurs d’Art in 1953, the Shell Prize in 1954 and the Grand Prize of the City of Marseilles in 1953. Lersy could be defined as a Baroque expressionist. For Bernard Dorival, Roger Lersy is along with Gabriel Dauchot, Jean Commère and Raymond Guerrier among "the most noted champions of this expressionism which is part of the continuation of Bernard Buffet's miserabilism". Famous works: New Year's Eve , Aubusson tapestry of the Manufacture des Gobelins , Permanent Mission of France to the United Nations , One Dag Hammarskjöld Plaza , New York . Venice , bridges , watercolor, 1963 (theme of the Roger Lersy exhibition, Chicago). The poppy , original lithograph, Imprimerie Bellini, 1978, collection of the Cabinet des estampes , BNF . Still life at the pedestal table , oil on canvas, Jonzac town hall. Lohengrin , oil on canvas, Versailles Administrative Court of Appeal. Portrait of the painter Tony Agostini , drawing. Series Eiffel Tower. Stained glass: Saint-Laurent Church, Longlaville ( Meurthe-et-Moselle ), 29 stained glass windows. Musical works: Stained glasses for clarinet , saxophone, cello and percussion , creation in the church of Longlaville, 1972. Three pieces for two waves Martenot : 1. Scum of dream, 2. Scare and jubilation. Malicious connivance, sheet music Editions A. Leduc, Paris, 1979. Work for trumpet and piano , published by Éditions G. Billaudot, Paris, 1984. Five pieces for piano , scores published by G. Billaudot, Paris, 1989. Five preludes for piano and alto saxophone , scores at Éditions Combre, premiere at Flâneries musicales de Reims , 1993. In memory of Chagall , piece for flute and percussion , recording of Duo Hyksos (Henri Tournier, flute and Michel Gastaud, percussion) in 1995. Preface in black and yellow for horn and piano , score at Éditions Combre, Arc-en-ciel collection, 2000. Soundtracks: Diatomées Note 4 , 19 , film by Jean Painlevé...