Henry Delacroix Art

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches. Artwork is in excellent condition.

SEGUY, E[ugene] A[lain]. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was p...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

Embossed serigraph in colors on paper. Hand signed by Erte lower right. Hand numbered 26/300 lower left. Artwork size: 28 x 21 inches. Frame size: 35.5 x 30.25 inches. Artwork ...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Serigraph in colors on paper from the Alphabet Suite. Hand signed by Erte lower right. Hand numbered 198/350 lower left. Sheet size: 25.25 x 18.62 inches. Image size: 15.75 x 10....

Fedora Fur is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 34 x 26 inches. From the edition of 650, the art is numbered 98/300 and estate-stamped 'Erté' lower right (there were also 300 Roman, and 50 AP). Framed in an elegant, gold-tone moulding. This image was inspired by a design that Erté created for Ganna Walska...

Florida (Pearl Dress) is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 33 x 25.5 inches. From the edition of 686, the art is numbered 212/300 and signed 'Erté' lower right (there were also 300 Roman, 65 AP, 1 PP and 20 HC). framed in an elegant gold-tone moulding. Originally a costume design for the American Millionairess Revue at the Théâtre Fémina in Paris in 1917, Florida (Pearl Dress) stands as a testament to the genius and creativity of Erté. It was at the Théâtre Fémina that Erté worked closely with Gaby Deslys, the greatest French music-hall star of her day. It was Madame Rasimi – the theater’s founder – wo discovered the young Romain de Tirtoff (Erté) and employed his talents to her theater’s great benefit. In Pearl Dress, the flowing gold train cascades from the gown to create a wonderful sense of style and grace. As the primary source of color in the design, the gold and pearls sit in contrast to the dynamic black background of the print, while the geometric pattern of rectangles and squares, all deeply embossed and metal-foiled, create the perception of depth and drama. One of the earliest costume designs by Erté, Pearl Dress stood as a reflection of American culture – of riches and excess – while expressing Erté’s love...

Hand signed and numbered by the artist. From the Roman Numeral edition of 150. Framed size approx 50 x 34 inches. Artwork is in excellent condition. Certificate of Authenticity inc...