$33,953
River Thames by Moonlight - Large Fine 19th Century Oil Painting Nightscape 1851
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. We o...
Oil
Westminster from the Thames by Moonlight - 19th Century Nightscape Oil Painting
By Henry Pether
Located in Gerrards Cross, GB
‘Westminster from the Thames by Moonlight’ by Henry Pether (1800-1880). The painting - one of the artist’s finest views of London in the 1860s - depicts the Houses of Parliament, t...
Oil
$198,289
H 47.75 in W 66.5 in
Grand 19th Century English Marine Painting in Stunning Light
By John Wilson Ewbank
Located in London, GB
John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...
Oil
$1,629
H 41 in W 35 in
Victorian Oil Painting, Rural View Near Guildford, Surrey, British Landscape
By George William Mote
Located in Cheltenham, GB
US buyers pay no import tariffs on this item. This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an exten...
Canvas, Oil
$2,760Sale Price|20% Off
H 24 in W 33 in
19th century English River landscape with figures, horses, cottage, sheep
By John Frederick Tennant
Located in Woodbury, CT
Well painted and very interesting composition attributed to the English landscape painter john Frederick Tennant. His work is very similar to ...
Canvas, Oil
$9,439
H 26.5 in W 36.5 in D 3 in
19th Century landscape oil painting of a harvest in Derbyshire
By George Turner
Located in Nr Broadway, Worcestershire
George Turner British, (1843-1910) Harvesting near Barrow-on-Trent Oil on canvas, signed & dated (18)86, further inscribed verso Image size: 19.25 inches x 29.25 inches Size includ...
Canvas, Oil
The peace of your nights descends into their thoughts
Located in Genève, GE
Work on paper mounted on wood 35.5 x 45.5 x 2 cm
Oil
$5,300
H 25.6 in W 30.71 in D 1.97 in
19th Century Roman Landscape oil on canvas with Giltwood Frame
Located in Rome, IT
Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...
Oil
19th Century English fishing boats at sunrise
By Adolphus Knell
Located in Woodbury, CT
Adolphus Knell (British, circa 1870) Coastal Vessels in Choppy Seas Oil on board, presented in its original gilt frame Signed lower right This atmospheric marine study by Adolphus Kn...
Oil, Board
$5,167Sale Price|35% Off
H 8 in W 10 in
Antique English 19th century marine scene
By William Anderson
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...
Oil, Wood Panel
$2,950
H 14 in W 12 in
Italian School, Late 17th Century Christ in the Garden of Gethsemane
Located in Woodbury, CT
Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...
Copper
Sold|$3,450
H 15 in W 13 in
19th century English Fishing boats moored by shore at Night with Moonlight
Located in Woodbury, CT
William Thornley (British, 1857–1935) Fishing Boats at Night Circa 1890 Oil on panel Unsigned A moody and atmospheric nocturne attributed to William Thornley, this evocative harbou...
Oil, Wood Panel
$28,521
H 26.25 in W 37.25 in D 3.25 in
Pair of 19th Century military oil paintings of volunteer rifle soldiers
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 26.25 INCHES X 37.25 INCHES** Frederick Henry Howard Harris British, (1829-1901) Volunteer Rifl...
Canvas, Oil
$6,859Sale Price|20% Off
H 24.81 in W 33.08 in
Rebecca At The Well Pietro Da Cortona Paint 17/18th Century Oil on canvas Italy
Located in Riva del Garda, IT
Rebecca at the Well Follower of Pietro da Cortona (Cortona 1596 - Rome 1669) Oil on canvas (50 x 66 cm. - Framed 63 x 84 cm.) The painting depicts the biblical episode from the...
Oil
Sold
H 33 in W 45 in D 3 in
Venice by Moonlight - 19th Century Oil Painting of the Grand Canal by Full Moon
By Henry Pether
Located in Gerrards Cross, GB
'Venice by Moonlight' by Henry Pether (1800-1880). The painting – which depicts an extensive nocturnal view of the Grand Canal with the Palazzo Pisani Gritti to the left and the Dors...
Oil
Sold
H 29 in W 41 in D 3 in
River Thames by Moonlight - 19th Century Oil Painting Victorian London by Night
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames by Moonlight’ by Henry Pether (1800-1880). The painting which depicts an extensive nocturnal view of London from the Temple to St Paul’s Cathedral and Blackfriars B...
Oil
Sold
H 29 in W 41 in D 3 in
River Thames by Moonlight - 19th Century Landscape Oil Painting Victorian London
By Henry Pether
Located in Gerrards Cross, GB
‘The River Thames by Moonlight’ by Henry Pether (1800-1880). The painting which depicts an extensive nocturnal view of London from the Temple to St Paul’s Cathedral and Blackfriars B...
Oil
Sold
H 28 in W 36 in
Late 18th century Antique English Moonlight over a lake and church landscape
By Henry Pether
Located in Woodbury, CT
Henry Pether, late 18th-century Moonlight lake Landscape. Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...
Canvas, Oil
Windsor Nocturne
By Henry Pether
Located in London, GB
Henry Pether (Flourished 1828 - 1865) Windsor Nocturne Oil on canvas, signed lower right Image size: 30 x 50 inches Gilt frame The strong diagonal of the river leads the eye far into the distance, to where the clouds are silvered by the moon. Henry Pether captures the numinous moment when the heavens fade from blue to midnight blue and clouds acquire an almost sculptural solidity. The moonlight is shining on the buildings, defining the whole range of the castle. The artist recreates the experience of objects coming into focus as the viewer’s eyes become accustomed to the twilight. After gazing for a few moments, we are made aware of the complexity of the foreground scene: a man gazing at the approaching man with horses. Pether employs a very subtle range of colours, from the icy blue of the deep heavens, to a rich range of browns, to the silver-gilt of the moonlight, to evoke a peaceful spring night. This painting can be compared to the similar work, of much the same size and date, in Anglesey Abbey. Here, Pether uses a personal technique, covering his canvas with blue before using a camera obscura to obtain exact shapes and perspective directly from real life. Pether was supremely competent in the technique of representing moonlight shining through cloud by the use of soft glazes over patches of dense paint. Henry Pether was an English landscape painter, the son of Abraham Pether (1756-1812) and brother of Sebastian Pether...
Canvas, Oil