Hermann Ottomar Herzog Art

This painting is inspired by Japanese elements and includes traditional decorative ornaments. It depicts a samurai and two geishas playing music and serving sake. The bright colors and the composition of the piece emphasize the merrymaking of drinking culture and express bright emotions associated with it. The sake makes this party possible, and the grid frames of the composition suggest that it is the viewer who is drunk. The painting is signed by the author and can be framed or unframed. It can decorate any corner of the room based on individual preference. The painting is signed on the back and on the front. The painting is framed. Framed dimensions: 54" x 42" x 2" Unframed dimensions: 48" x 36" x 1.5” Sergiy Andreyev...

Henry Calvert was an animal painter, particularly of the sporting variety and best known for his depictions of horses, hunting scenes and equestrian hunting portraits...

Carpathian landscape.

The landscape is painted from life. The painting depicts nature and an old house and people in the distance. The canvas brings back memories of childhood.

Heywood Hardy British, (1842-1933) The Arrival of the Coach Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 25.75 inches x 35.75 inches A superb paint...

Gorgeous mid century landscape of Cypress and Eucalyptus by Dan Runyan (American, 20th Century), circa 1960. Signed lower right. Presented in rustic painted wood frame. Image size 18...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...

Rudolf Schacht, oil painting, lively old town scene with carriage and horses. Age-related condition. The painting is damaged in places and in need of restoration. On request, we are...

MARGARET EVANGELINE received her MFA from the University of New Orleans (UNO) in 1978, where she was the first woman to graduate from the program. Margaret studied with Calvin Harlan...

The painting is a reflection on a philosophical idea of not always having control over one’s life. The two halves of the painting suggest that the reality of what is happening may be an illusion, and the puppet master is someone else entirely. The nakedness of the woman and the elaborate costume of the jester make us wonder at which is more powerful. Dolls are an excellent decoration that can captivate the curiosity of the viewer. The painting is signed on the back and on the front. The painting is framed. Framed dimensions: 54" x 42" x 2" Unframed dimensions: 48" x 36" x 1.5” Sergiy Andreyev...

A moody painting depicting a Hutsul girl with lambs and a flock of sheep. A painting that conveys the spring Carpathian landscape and authentic culture.

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...