Itzchak Tarkay Prints

Beautiful watercolor by the well known artist Tarkay, This work was purchased in a charity auction and retains label also art work measure 16x 12 inches,...

This print originates from ‘Biblia Sacra, dat is, de H. Schriftuer van het Oude, en het Nieuwe Testament, naer de laetste Roomsche keure der gemeine Latijnsche overzettinge, in neder...

Original twenty-three plate lithograph printed on paper titled "Cottonwoods at Sundown." Archival float mounted and framed. Signed and dated in graphite, LR: RC, 1995 Numbered in gr...

Original acrylic painting on canvas signed by Itzchak Tarkay (1935-2012), despicting women in a cafe with vibrant colors, inspired by the post impressionist movement. Itzchak Tarkay...

Handcolored aquatint made after Henry Alken by J. Clark. Published by T. McLean, London, 1820. The antique aquatint titled 'A Match at the Badger' by...

Gorgeous 1970 print after Henri de Toulouse-Lautrec's painting "L' Anglais au Moulin Rouge". This vintage lithographic poster of "Englishman at the Moulin Rouge" (1892) was reproduc...

Original set of five color production stills from the 1974 Disney animation.    

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

"Midnight at the Oasis" lithograph by E. King, circa 1984. The piece is in very good condition and is presented in a grey metal frame with an off white mat.. The framed piece is 10" ...

Edival Ramosa was born in Brazil in 1940. From 1969-1973, he worked in the Polimero Arte workshops with 49 other Italian and foreign artists. Some were famous, such as Bai and Man R...

The Millet Family Home etching by Jean-Charles Millet, 2nd quarter 20th century, French. Jean-Charles Millet (French 1892-1944). Pencil signature lower right, signed in plate lower l...

Itzchak Tarkay, (Israel, 1935-2012) Serographs/lithographsHappy Memories, framed as a pair, signed, l.r., numbered, 7/300, l.l., the reverse with Wentworth Gallery Label, Miami, FL....