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Jack Balas More Art

Jack Balas is an artist whose work primarily includes painting, drawing and photography; occasionally cross-pollinated with writing and other media. After earning his BFA and MFA in sculpture from Northern Illinois University, Balas moved from the Chicago area to Los Angeles, where he worked as a cross-country art shipper, driving between Los Angeles and New York on a route that regularly took him through the western landscapes that have come to define much of his work. Eventually moving away from sculpture entirely, Balas began producing paintings of athletic young men, annotated and layered with numbers, illustrations, personal anecdotes, and other disparate elements that offer a depiction of idealized masculinity in America through the lens of Balas's personal experiences; as well as a contemporary counterpoint to the art-historical archetype of the female nude. A 1995 recipient of an Individual Fellowship in Painting from the National Endowment for the Arts, Balas is now represented in the permanent collections of the Brooklyn Museum, New York; the Denver Art Museum, Colorado; the Tucson Museum of Art, Arizona; the Cedar Rapids Museum of Art, Iowa; the San Francisco Museum of Modern Art, California; the 21c Museum, Louisville, Kentucky; the Albuquerque Museum, New Mexico; and the Usiminas Cultural Institute, Ipatinga, Minas Gerais, Brazil; among others. Balas currently divides his time between Denver and Tucson.

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Artist: Jack Balas
Ship of Cools (#1318)
By Jack Balas
Located in New York, NY
Full title: "Ship of Cools, or, A Jolly Load of Boatmen Flat-Out Crossing the Mainstream, Some Being Kings, and Some Being 'Vagabonds' (We Await Your Applause) (#1318)" Watercolor, acrylic, and ink on paper (Diptych) Signed in black ink, l.l. This artwork references George Caleb Bingham’s 1846 painting “The Jolly Flatboatmen...
Category

2010s Contemporary Jack Balas More Art

Materials

Paper, Ink, Acrylic, Watercolor

Crown (#1248)
By Jack Balas
Located in New York, NY
Watercolor and acrylic on paper Signed in black ink, l.r. This artwork is offered by ClampArt, located in New York City. Price includes framing. Jack Balas is an artist whose work ...
Category

2010s Contemporary Jack Balas More Art

Materials

Paper, Watercolor, Acrylic

The Wall (La Pared), Nogales (No Puedo Decir Esto) (#1588)
By Jack Balas
Located in New York, NY
Oil, enamel, and ink on canvas Signed in black, l.r. This artwork is offered by ClampArt, located in New York City. Inscriptions read: THE WALL, NOGALES In Nogales, I walk across...
Category

2010s Contemporary Jack Balas More Art

Materials

Enamel

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Rare 1950s Vintage Syndicated Ink Drawing Cartoon Strip Susie Q Smith Comic Art
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SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...
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1950s American Modern Jack Balas More Art

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Paper, Ink

Jack Balas more art for sale on 1stDibs.

Find a wide variety of authentic Jack Balas more art available for sale on 1stDibs. You can also browse by medium to find art by Jack Balas in paint, acrylic paint, ink and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Jack Balas more art, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Nayanaa Kanodia, Rajeswar Rao, and Sekhar Kar. Jack Balas more art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,580 and tops out at $21,960, while the average work can sell for $8,900.

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