Jacques Gonin Paintings

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

This lovely impressionist painting portrays what appears to be a family outing or picnic. There are many beautifully dressed women with their children in a park setting. Oddly, what appears to be missing are men, or their husbands. Perhaps it’s a women’s organization that included their young children. The scene must depict late spring or summer, given the foliage and their beautiful dresses. The colors are bright and cheerful and the late impressionist style is clearly evident. The artist appears to have signed the painting lower left, but it is very difficult to completely decipher. The date, 1925, seems to be clearer. All in all, this work is a one-of-a-kind period painting that will enhance any sophisticated room or setting. The frame is a soft lemon gold period cove frame that may be just a bit older than the work by about 10 years. This work has been recently professionally repaired, cleaned and varnished. Both the painting and the frame are in very good condition. There are a few professional repairs to the canvas, only visible from the patches shown on the backside. The frame has a few minor blemishes here and there, expected with its age. The canvas measures 18” x 22” and the overall framed dimensions are 24 1/2” x 28 1/2”. Visible on the reverse side is a vintage label that reads “Art...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Painting measures 10 ½" x 16" and framed 20 ½" x 26" x 4"

This oil painting framed is part of my private collection. Lucien Durand was a French painter. I have several of his pieces. HI art work has been offered at auction multiple times.

This painting features crisp, defined lines and remarkable detail, showcasing a significant period in the artist's career as he approaches his 90th birthday later this year. The piec...

American Impressionist Genre Figure Oil on Canvas Framed in gold leaf frame Excellent condition signed "K.A. Buehr" lower left Exhibited 24th Annual Exhibition, Art Institute...

Charming summery terrace scene dominated by an elegant lady with a white hat and green gloves, next to her a suitor drinking wine and smoking a cigarette. At the table another elegant lady with red hair. A waiter and a man on a neighboring table look on how the romance will unfold. A blue- turquoise and white sun screen...

American Impressionist Genre Figurative Oil on canvas

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...