Jakub Pasierkiewicz Art

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

Guided by Starlight (1993) is a mixed-media print by Hong Kong–born artist Bik Chuen Ha, known for his sculptural approach to printmaking. In this work, Ha layers deep embossing, car...

Louise Bourgeois We Love You, 2000 Engraving and watercolor with unique Ink drawing on Fabriano Paper Unique Variant with original hand coloring) Signed by the artist, inscribed "X" ...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

"White Silence" is a triptych created by Enrico Benetta in 2016. The painting comes unframed, with a total dimension of 28" x 59" x 5". This piece was made with acrylic paint, gesso, and corten steel - the signature materials that Benetta has become known for. Thanks to his excellent skills, the artist uses unconventional media to create truly unique artworks, that take the viewer to an aerial, restless dimension - despite the opposite nature of those materials. Benetta's work takes the heritage of Italian industrial design and fuses it with contemporary art, giving life to unique abstract pieces that spark the attention of art lovers worldwide. He studied Fine Arts in Venice, and his work has been featured in more than 25 exhibitions in the recent years, in addition to his collaboration with brands like...

An original mixed media painting and collage on board by American artist James Koenig. Created in 1970, this work is part of the Draw Near exhibition currently on view at Benjaman G...

"Back Stage" (FRAMED) Abstract Painting 30 x 56" inch by Yoram Katz Medium: Pencil on Paper Size framed: 33 x 57 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel A...

Beautiful floral still life by American artist Jane Piper (1916-1991) . Untitled. 1980. Pastel, oil crayon and pencil on tracing paper. Image measuring 9 x 12 inches in original ...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...