James Baldwin Furniture

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

The definitive book on the legendary decorator Billy Baldwin, known as the "Dean of American Decorating," famous for his classical taste, streamlined modernism, and brilliant use of colour. In the tradition of Rizzoli’s Albert Hadley and David Hicks, this is the first fully illustrated account of the career of Billy Baldwin (1903–1983), one of the most important decorators of the twentieth century, whose work has influenced contemporary designers from Bunny Williams to Jeffrey Bilhuber. A native of Baltimore, Baldwin’s work caught the eye of eminent New York decorator Ruby Ross Wood. She invited him to join her firm, saying his work stood out "like a beacon of light in the boredom of the houses around it." Baldwin’s style was a revelation—simultaneously classical and modernist, tailored and clean, yet dramatically coloured, and above all American. An enemy of clutter and conspicuous wealth, he favoured natural materials and comfortable furniture. The drama in his rooms often came from colour, as seen in the dark brown lacquered walls of Cole Porter’s library or the scarlet cotton print that covered Diana Vreeland’s apartment. Immensely charming, Baldwin was a popular addition to the high society of New York. His clients included Bill and Deeda Blair, Babe and Bill Paley...

Selected as one of Oprah’s Favorite Things 2023. This keepsake children’s book celebrates friendship in a new and accessible way: through art. Featuring a bright stylish cover and ...

The author of Beautiful is back with a new book of his interiors, filled with blue-and-white vignettes, wicker, saturated color, and pretty patterns. Interior designer Mark D. Sikes burst onto the publishing scene with his New York Times best-selling first book, Beautiful. His new book, aptly titled More Beautiful, picks up where the first left off, in a celebration of classic, all-American decorating. The rooms featured in More Beautiful are divided into five distinct styles, all of which exude the happiness that comes with surrounding oneself with things you love. ""Traditional"" is chockablock with vibrant color, antique furniture, and heady doses of trim and pattern. ""Country"" is a new take on the style, where distressed finishes and modern silhouettes mingle for a warm welcome. ""Coastal"" is streamlined, with natural woven fibers, sun-faded linen and neutrals, and blues and whites galore. ""Mediterranean"" evokes faraway lands, with a saturated palette, ornate tiles and ikats, and iron details. Finally, there's ""Beautiful"": a peek inside Mark's own Hollywood Hills home, which nods to all of his favorite design signatures--including Italian wicker, blue and white, Anglo-Indian antiques, and more. With all-new photography by Amy Neunsinger, the book will inspire with rooms that are light-filled and crisply patterned, chic yet comfortable, and just the way people want to live today. About The Author Mark D. Sikes is an esteemed interior designer working on projects throughout the United States. His work has been featured in AD, Veranda, Elle Decor, House Beautiful, the Wall Street Journal, C Magazine, Milieu, and Domino. His rooms for the Kips Bay Show House in New York, Greystone in Beverly Hills, the Southern Living Show House in Birmingham, and the Coastal Living Show House in Newport have been much celebrated. Mark has partnered with the best manufacturers in furniture and fabric to develop his signature product lines, including Chaddock, Soane, Hudson Valley Lighting...

A resplendent memoir by the dean of decorators of his more than forty years of creating beautiful things for fascinating people. Billy Baldwin writes intimately of Greta Garbo, Cole Porter, Mary Wells...

Richard Mishaan Design Architecture and Interiors By: Richard Mishaan Text by Jacqueline Terrebonne A cornucopia of recent interior, architectural, and landscape design inspiration ...

1980’s cool sculptural bank by listed American artist Richard Etts. As found condition. Constructed of cast plaster and was painted with white lacquer at one point. Not signed. They...

Royal Dutch Airforce Model 1964 Officer's Dagger 'KLu Officiers Ponjaard, 1964' Royal Dutch Airforce model 1964 officer's dagger. (KLu officiers ponjaard 1964). In original box and it's original black leather scabbard with gild fittings and the Royal Dutch Airforce buying ticket The dagger is marked with the sitting squirrel logo of the Company name " Carl Eickhorn" Solingen. The dagger has black diagonally angled ribbed grip with double twisted brass wire winding. The gilt pommel has the form of the Dutch Royal Crown...

Christo and More SMS A Collection of Multiples 'William N. Copley, 1968' S.M.S. is an art collection in a box that was available by subscription in 1968. Through February and December, subscribers were mailed six issues containing assorted works of art curated by William N. Copley. The portfolios consist of “original reproductions" by 73 artists including William Copley, Christo, Marcel Duchamp, Roy Lichtenstein, Joseph Kosuth, Walter de Maria, Yoko Ono, Lawrence Weiner, Richard Artschwager, Man Ray, Bruce Nauman, John Cage, Terry Riley and more. S.M.S. included renowned and unknown artists side by side. As form of protest against galleries, S.M.S. made contemporary art affordable and accessible at a modest price of $125.00 per subscription. The portfolios are all kept in their original display covers. Edition of approximately 2,000 published by Letter Edged in Black Press. Volume No. 1 February 1968 Little Box of Earthquake and Cotton (cover), Irving Penn; Black Dress, James Lee Byars; Chicago Project…, Walter de Maria; My Country ‘Tis of Thee, Kasper Konig; Luggage Labels Nancy Reitkopf; Project for a Bridge, Sue Braden; A Postcard for Mother, Richard Hamilton; Two Propositions in Black, Le Monte Young and Marian Zazeela; Store Front, Christo; Sol Mednick; Pharmaceuticals, Julian Levy. Volume No. 2 April 1968 Seven Minute Recording of Contapetrie, a surrealist word game (cover), Marcel Duchamp; The Mirror of Genoveva, Meret Oppenheim; Three Color Separations, Alain Jacquet; A Two-Year-Old Girl Choked to Death Today on an Easter Egg, Ray Johnson; A Proposed Comic Section for the New York Times, Bernard Pfreim; Farwell to Faust, George Reavey; Album, Clovis Trouille; Legal Tender, Bruce Conner; 10 collages, Marcia Hertscovitz; Cynocephalus & Co., Nicolas Calas. Volume No. 3 June 1968 Untitled abstract landscapes (cover), John Battan; Clouds, William Bryant (Bill Copley); Ode to London, Dick Higgens; Two Drawings, Ronnie Landfield; Bush in Hand, Roland Penrose; The Father of Mona Lisa, Man Ray, signed and numbered; Glove, Enrico Baj; Four Titled Abstracts, Joseph Kosuth; Correspondence, H.C. Westerman; Signal Flag Poem, Hannah Weiner; Poppy Nogoods All Night Flight, Terry Riley; Poems, Atograf. Volume No. 4 August 1968 Untitled (cover), Robert Stanley; Drift Study 4:37:4:05:09:50 5 VII 68, La Monte Young and Marian Zazeela; Permanent Parking Decal, Robert Watts; 100 Year Calendar, On Kawara; Lichtenstein Hat, Roy Lichtenstein; Diary: How to Improve the World (You Will Only Make Matters Worse) continued, John Cage; Phenakistiscope, Hollis Frampton...

A scale model of the KLM "The Flying Dutchman" Douglas DC-8 by Verkuyl of the Netherlands. On original stand. Made by Matthys M Verkuyl - B...