Jan Paul Sculptures

Large vintage industrial factory mold in stainless steel in the shape of a large dinner fork. These highly decorative sculptures are sold separately or a...

Bronze mounted abstract sculpture. The sculpture showcases an interlocking narrow bronze sculpture on a Douglas fir base. Dimensions 6.75" width x 3.25" depth x 13.25" height. Cond...

Cubus Spiralis, a standout piece from Katz Studio's Geometra collection, embodies the essence of geometric minimalism while challenging its boundaries. This mesmerizing sculpture ris...

Polished to a breath-taking finish and presented on an artistic wooden stand, this unique and beautiful piece displays a half geode. The edges of the geodes have been polished reveal...

SCULPTURE SERIES REMANSO “The ideal beauty is in calm and serene simplicity.” Johann Goethe The stillness balances the lullaby of a sincere hug, whether of welcome or farewell. Th...

Life size fiberglass pig or hog is made of a very strong fiberglass which will withstand the elements. This Amazing pig is a perfect addition to any garden o...

Showcasing expressive folk-modernist character, this vintage mixed metal owl sculpture features a rotund body constructed from hundreds of individually cut and layered sheet metal fe...

Paul A. Lobel (1899-1983) modernist silversmith, sculptor and artist. Lobel sold his jewelry and art at his Greenwich village shop in the 1940s and 1950s. This two-piece sterling Kin...

Phyliss Mark was best known as a jewelry designer.The sculpture shows her attention to detail.Signed at the base.Sculpture has great movement when in motion.

Decorative swan decoy carved from a barn beam. Glass eyes, original paint. Carved by Fred and Sally Schieber and stamped "F&S" on bottom. F&S carved wood swans were decorative decoys...

This exceptional 1960s Brutalist still life sculpture is a masterful testament to mid-century studio craft, presenting a powerful interplay of industrial raw metalwork and organic botanical form. As beautifully captured in photos, this piece is meticulously hand-forged, showcasing an array of highly stylized flowers, spiky starburst flora, and textured wheat-like stalks rising elegantly from a faceted, geometric iron vase. Each blossom is intricately constructed with individual layered metal petals, jagged cut edges, and torch-cut brazed brass accents at the centers that catch the light, adding a brilliant flash of warmth to the dark, moodier iron patina. For critical collector provenance, this important mid-century work is signed "Bob Schmitz" in a striking gold script on the reverse side of the vase. Vase is 6.75"h x 6.25" x 6.25" Embodying the rebellious, texture-heavy spirit of the Brutalist art movement, this hand-forged sculpture celebrates raw construction with its exposed welds, torch-hewn edges, and multi-toned oxidation. Cleverly engineered for both stability and customizable display, the heavy metal flower rods are held securely in place by a dense sand filling on the inside of the vase, allowing the dramatic bouquet to maintain its striking arrangement. The faceted exterior features beautifully visible seams and a mottled, fire-kissed surface patina that transitions seamlessly from dark charcoal tones to deep copper hues, accented by the artist's gold signature. A commanding and deeply textural decorative statement, this mid-century studio sculpture by Bob Schmitz makes an incredible centerpiece for a Brutalist or mid-century modern interior. Born in Illinois, Bob Schmitz was a skilled Midwestern craftsman who learned the intricacies of welding and traditional metalworking directly from his grandfather, a professional blacksmith. He eventually took over his family's historic forge, successfully transitioning the traditional shop into specialized, custom fabrication and independent studio design. Operating in the true spirit of the mid-century American Studio Craft movement, Schmitz hand-forged, torch-cut, and built his pieces individually by hand rather than relying on mass factory production. This meticulous, bench-work approach explains the highly customized, one-of-a-kind engineering seen in his work, such as using a dense sand filling inside the vase to balance and secure the heavy metal flower rods. Active during the 1960s and 1970s boom in torch-cut metal art, Schmitz utilized heavy, industrial materials like iron, brass, and copper to create dramatic, highly textured interpretations of nature. Because he was a dedicated regional craftsman who prioritized individual studio artistry over large-scale commercial gallery contracts, surviving examples of his large-scale sculptural work remain exceptionally rare to find on the open market today. Bob Schmitz, Mid-Century Studio Craft, Brutalist Flower Sculpture...

Abstract cast bronze sculpture mounted on a dark hardwood base. This original vintage artwork features heavy texture, organic curves, and dramatic negative space. The multiple forms ...