Jan Sluijters Art

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...

Original vintage poster by Bernard Buffet May 1958.

Artist: Jaume Planas Gallés (Barcelona, 20th Century) Title: Female Nude Medium: Oil on canvas Dimensions (unframed): 92 × 65 cm — 36.2 × 25.6 in Dimensions (framed): 98 × 71 cm — 38...

'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA ------ Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Ges...

THÉO TOBIASSE (1927–2012) – “THOU ART FAIR, MY LOVE” Lithograph on Japon Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A SENSUOUS HYMN TO BEAUTY, BELOVEDNESS, AND THE POETRY O...

THÉO TOBIASSE – "CANTATE 51 DE BACH POUR LES JOURS DE LUMIÈRE" ⚜ Lithograph on paper ⚜ Hand signed and numbered ⚜ Conservation framed SYMPHONIC FIGURATION FROM TOBIASSE’S FEMME SERI...

Collage by Eduardo Chillida is a limited edition lithograph, expertly printed on Stonehenge Super White mat finish paper and published by ARTE in Paris in 1995. This print features a...

THÉO TOBIASSE (1927–2012) – “NEW YORK ET L’ESPRIT DES FLEURS” Lithograph ⚜ Hand Signed and Numbered ⚜ Crosshatch Gilt Wood Frame A LYRICAL VISION OF NEW YORK IN FULL BLOOM Created ...

THÉO TOBIASSE (1927–2012) – “LES SIÈCLES COULENT ENTRE NOS RÊVES” Lithograph on Arches Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A LUMINOUS MEDITATION ON MEMORY, INTIMACY, AND THE PASSAGE OF TIME From the acclaimed suite Un Chant d’Exil et de Lumière (A Song of Exile and Light), this richly saturated lithograph is one image from a series of six distinct compositions published in 1997 by Klim Art Publisher, Toronto, and printed by master lithographer Pierre Chave at his celebrated atelier in Saint-Paul-de-Vence. The multi-color lithographic process, employing up to twenty-three separate color passes, produces the extraordinary depth and chromatic intensity visible across the entire composition. Two figures sit together at a table, each holding a glass of wine. A samovar and two lit candles anchor the still life at center, surrounded by scattered fruit and a bowl bearing an olive branch. A vibrant rainbow canopy arcs across the upper portion of the image, while a dove takes flight at upper right. Behind the couple hangs a decorative tablet adorned with flowering branches and scrolled columns. The title, inscribed in the artist’s hand within the composition, translates as “The centuries flow between our dreams,” a poetic distillation of the suite’s overarching contemplation of generational memory passing through shared moments of intimacy. What initially reads as a warm, intimate gathering reveals itself as a layered reflection on heritage, belonging, and the rituals that connect one generation to the next. The samovar recalls Tobiasse’s Eastern European childhood, while the olive branch and candles carry associations of renewal and hope. The dove and rainbow reinforce themes of peace and covenant that recur throughout Tobiasse’s oeuvre. Rendered on heavy Arches paper with deckled edges, the print retains a tactile, handmade quality that complements its emotional warmth. Presented in a crosshatch gilt wood frame the work suits interiors that embrace color and narrative, from a Mediterranean-inspired living space to a collector’s library or a gallery wall dedicated to the School of Paris tradition. WHY COLLECT THIS WORK? ✓ Suite Provenance – One of six distinct compositions from Tobiasse’s acclaimed Un Chant d’Exil et de Lumière series, published in 1997 ✓ Master Printed – Produced by Pierre Chave in Saint-Paul-de-Vence using up to twenty-three color passes ✓ Hand Signed and Numbered – Pencil signed lower right, numbered 87/199 ✓ Rich Symbolic Composition – Dove, rainbow, samovar, olive branch, and candle layered with personal and cultural meaning ✓ Gilt Wood Frame – Crosshatch gilt finish, ready to display ARTWORK DETAILS: ▸ Title: Les Siècles Coulent Entre Nos Rêves (The Centuries Flow Between Our Dreams) ▸ Suite: Un Chant d’Exil et de Lumière (A Song of Exile and Light) ▸ Artist: Théo Tobiasse (1927–2012) ▸ Medium: Lithograph on Arches Paper with Deckled Edges ▸ Year of Creation: 1997 ▸ Signature: Hand Signed Lower Right in Pencil ▸ Edition: 87/199 ▸ Publisher: Klim Art Publisher, Toronto, Canada ▸ Printer: Pierre Chave, Saint-Paul-de-Vence, France ▸ Provenance: Michael Hittleman Gallery, Los Angeles ▸ Country of Origin: France ▸ Dimensions: — ◼︎ Image Area: 30.5 x 22 inches — ◼︎ Paper Size: 36 x 27.25 inches — ◻︎ Frame Size: 44 x 35 x 0.875 inches ▸ Condition: Excellent, commensurate with age ▸ Framing: Crosshatch Gilt Wood Frame, ready to display THE ARTIST: Théo Tobiasse (born Tobias Eidesas, 1927, Jaffa, Israel; died 2012...

Vintage Jan & Joël Martel 1925 Paris International Exhibition of the Decorative Arts and Industries Framed Art Deco Offical Poster. Framed with the original anodazed Aluminum Fra...

Spanish Expressionist Female Nude Interior Figurative Oil Painting 1981 Artist: Jordi Arrué Medium: Oil on canvas Date: 1981 (inscribed on reverse) Signature: Signed lower right “Arrue” Dimensions: 33 × 41 cm (13 × 16.1 in) Framing: Unframed Condition: Good overall condition. Thick impasto surface well preserved consistent with the artist’s technique DESCRIPTION Expressive figurative composition by Spanish painter Jordi Arrué, dated 1981, depicting a reclining female nude within an intimate domestic interior. The painting is characterized by a richly textured impasto technique applied with broad brushstrokes and palette knife, particularly visible in the handling of the drapery and the construction of the figure. This material approach places the work within the Mediterranean figurative tradition developed in Spain during the 1970s and 1980s. The chromatic dialogue between the pastel tonalities of the body and the structured presence of the deep red cabinet creates a balanced composition with strong visual rhythm and painterly presence. Rather than academic realism, the artist builds the figure through layered color planes and tactile gesture, emphasizing the physicality of paint as a structural element of the image. Reclining interior nudes constitute one of the most recognizable subjects within Arrué’s figurative production of this period. Signed and dated on the reverse: 1981. ARTIST BIO Jordi Arrué is a Spanish painter active in Catalonia during the second half of the twentieth century, known for his figurative interiors and female nude compositions executed with a gestural and materially expressive brushwork. His work belongs to the Mediterranean figurative tradition that remained active in Spain during the 1970s and 1980s, where color structure and surface texture play a central role in the construction of the image. Today his paintings are appreciated within the context of late twentieth-century Spanish figurative painting and continue to circulate in European private collections and the secondary art market. ARTISTIC CONTEXT This work reflects connections with: Joaquín Sorolla Manuel Hernández...