Jane Le Soudier Art

Original Pastel Drawing on Paper of Horse Race at Royal Ascot 2002 with Golan & Nayef Art measures 25 x 18 inches Frame measures 33 x 26 inches Nayef was pipped by Golan in t...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

"Dragon," by Quang Ho, is a secondary market work with one previous owner. It is signed and dated (1988) on the lower left. The painting comes with it's original frame (measures 50 x...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Signed lower right, 'T. Ivester Lloyd' for Thomas Ivestor Lloyd (English, born 1873) and painted circa 1900. This Liverpool-born artist spent most of his life in and around Sheringt...

A Unique Offering of Two 1940s Chicago City Street Scenes, "Studies for Fulton Street Market" by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Two related, boldly ex...

André MANTELET MARTEL (1876-1953) View Of The Pantheon, Descartes street, Paris Ve area, 1926 Charcoal on paper Signed, dated and located lower left 60 x 44 cm Provenance; former Jac...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Quang Ho's "Untitled" (2023) is an original handmade charcoal drawing done on paper. This piece depicts an abstracted portrait of nude women. Artist's Statement "Realism and abstrac...

Ships at the Harbor - Nautical Seascape in Charcoal on Paper Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions. Signed in the lower right corner "Maude Folmar" Presented in a wood frame with a double mat. Frame size: 25.25"H x 29.25"W Image size: 17"H x 21.5"W Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

“Eternal Encounters” is an original drawing on paper Fabriano by Colombian artist Luis Xiua, whose work fuses figurative and abstract elements inspired by nature, symbolism, and cons...