Jay Jensen Art

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

N208, 50x60cm

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

An oil painting by American artist Rachel Personett (b. 1991, Hawaii) of a woodland scene in October. Yellow foliage adorns the trees and fallen brown leaves cover the ground in this...

Untitled Landscape is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the water-filled sky and saturated ground in full view. Here, Perkinson chose to depict the beauty and calm of the rain, with an expansive view of a lush landscape. Women are holding umbrellas in the middle ground with their young children enjoying the feeling of rain drops. A pond just creeps into view from the right and the edge of town can be seen in the distance, just over the trees. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1983 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 40 INCHES Frame Dimensions:* 28.5 x 44.75 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN A CARVED CUSTOM ANTIQUE-FINISH GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

This finely detailed landscape of a stone wall and field beneath Mount Monadnock in New Hampshire on a warm summer afternoon was painted by contemporar...

California Canyon -- Cheeseboro Canyon in Southern California is a beautiful canyon surrounded by rolling hills and oak savannah. A historic ranch house was burned down in the massiv...

Nineteenth Century Victorian Oil Landscape Painting of Spaniel Dog flushing a Pheasant in Woodlands. A typical oil painting by the Nineteenth Century Sporting Artist Jean Langlois. ...

OIL PAINTING SMALL SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $3,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Description ( 19th century Style ) Salvatore Colacicco is a world-renowned marine artist who was born in 1935 in Bellagio, near Lake Como and studied at Brera Academy, Milan. He has been living in England for over thirty years. Nearly all Salvatore Colacicco's paintings during that time have been exported to the United States and sold through Tonkins of Nantucket Island. These now adorn the walls of many a Board Room and Directors Office throughout the States. Colacicco's style of painting very much reminds one of marine artists throughout the 19th century with an obvious Italian feel. Among Colacicco's achievements were 26 panels illustrating the history and development of the paddle steamer (of which he had made a special study of those used on the Italian Lakes), painted for the Russell Cotes Museum in Bournemouth and most works by Salvatore Colacicco fetch good figures even at auction Nice back story to these pieces , We acquired them from a gentleman that went to school with the artist son in Bournemouth , His Father purchased these ones from the artist roundabout 1960 . Title: Racing...

N195, 50x50cm

March 24x32 cm, oil/cardboard, 1990