Jean-Baptiste Auguste Clesinger Furniture

Jean-Baptiste Auguste Clesinger (French, 1814-1883) "Zingara" Patinated Bronze and Rouge Griotte Marble Clock, late 19th century, the dancer upholding a tambourine, stamped "F. Barbe...

An exquisitely cast parcel gilded example of "Two Fates", the model is based on the marble scpture of Antiquity that originally formed a portion of the east ...

Jean-Baptiste (dit Auguste) Clesinger 1814-1883 was a sculptor of note who for some years flourished in Rome although a native of France. This is a large, lively and erotic study of a young woman dancing and playing the tambourine. He came from an artistic background. A previous work was a considerable "success de scandale" . Its eroticism caused a sensation. It was evidently very erotic indeed and based on a courtesan Apollinie Sabatier. Zingara, pleasingly louche with shapely exposed breasts...

An exceptional French patinated realistic miniature bronze bust of Jesus Christ, 1858 Signed: J CLESINGER. 1858 and F. BARBEDIENNE FONDEUR, wi...

An exceptional French patinated realistic miniature bronze bust of Jesus Christ, 1858 Signed: J CLESINGER. 1858 and F. BARBEDIENNE FONDEUR, wi...

An exceptional French patinated realistic bronze bust of Jesus Christ, circa 1858 Signed: J CLESINGER. & F. BARBEDIENNE FONDEUR, with the Reduction Me...

An exceptional French patinated realistic bronze bust of Jesus Christ, 1858. Signed: J CLESINGER. Rome. 1858 with F. BARBEDIENNE FONDEUR, with the Red...

A French Miniature patinated bronze bust of Jesus Christ on a round wood base, 1858. Signed: J CLESINGER. Rome. 1858 with F. BARBEDIENNE FONDEU...

This is a striking bronze by the famous French sculptor Jean-Baptiste Clésinger circa 1850 in date. This is a stunning bronze "Rien" Memento Mori bronze...

Fire gilt bronze sculpture of the archaic Greek poet Sap(p)ho (7th / 6th century BC) with her attribute, the lyra, by Jean-Baptiste Auguste Clésinger (1814, Besançon - 1883, Paris). ...

This exceptional Clesinger Combat De Taureaux bronze bull statue captures the raw power, intensity, and dynamic energy of two bulls locked in dramatic combat...

Jean Baptiste, Auguste Clésinger French, 1814-1883 "Helene" F. Barbedienne. Inscribed F. Barbedienne Fondeur Paris and with the Achille Collas seal. Signed on Base: J. Clesinger....

A bronze sculpture with a graceful presence and of excellent quality, the work is based on the original sculpture in the east pediment of the Parthenon by Athenian sculptor Phidias, ...

Jean-Baptisite Clesinger (French. 1814-1883): A pair of silvered bronze and rouge marble busts of a Bacchante couple, cast by Marny Hac, 1 Rue de la Paix, Paris. The female bust with...

JEAN-BAPTISTE CLESINGER (FRENCH, 1814-1883) PATINATED ANTIQUE BRONZE SCULPTURE Bust of Charlotte Corday c. 1880-90 Originally executed in Rome in 1858 as a marble bust and exhibited at Salon in 1859 with two other busts, Jean-Baptiste Clésinger's moving sculpture of Charlotte Corday proceeded to be cast by the F. Barbedienne foundry in bronze. Listed in their 1886 catalogue (Catalogue des Bronzes D'Art, p. 60), the bust was offered in several editions including 68, 35, 29, 21 and 15 cm; the present 29 cm example was originally offered at 90 francs. Of exceptional clarity, the quality of the casting is above reproach - the surface is smooth and the patina deep, the wonderful details crisply chased and filed into the surface to result in a nearly photographic realism of the somber subject. Marie-Anne Charlotte de Corday d'Armont, or simply Charlotte Corday, was a Royalist sympathizer infamous for her assassination of Jean Paul Marat, a leader of the French Revolution. She was executed for her crime by guillotine at Place de la Révolution in 1773. Signed "J. Clesinger Rome 1858" along the back edge, the work is impressed "F. Barbedienne Fondeur" and bears the A. Collas Reduction Mechanique seal inside the verso. For serious collectors of French Romanticism, this is a very fine selection. Born Jean-Baptiste, but later choosing to be known as Auguste, he was a student of his father, the academic sculptor George Philippe Clésinger. Later studying under sculptor Thorvaldsen, a Danish neoclassical artist whose influence is clear in Clésinger's subjects, he also studied under architect Salvi and briefly under David d'Angers. A somewhat distracted and highly ambitious spirit, Jean-Baptiste moved around from Switzerland to Florence and in 1845 settled in Paris. He was aggressive in making connections and arranging proper critical acclaim for his works, an effort that paid off in his 1847 debut of Woman Bitten by a Snake, a moving Romantic work that created a sensation among critics. He was awarded first-class medal at Salon in 1848 for his Reclining Bacchante and was awarded membership in the exclusive Legion of Honor in 1849 - later he was promoted to officier in 1864. While he also worked to market his own works, organizing public auctions and publishing a catalogue with Théophile Gautier in 1868-70, much of his work was cast by and promoted by the Ferdinand Barbedienne foundry. The firm's 1867 catalogue features Clésinger's work prominently and the majority of works executed during his lifetime bear the stamp of this founder. Literature: Romantic Bronzes of the Nineteenth Century: French, English and American Bronzes 1830-1915, Jeremy Cooper, p. 25 Catalogue Bronzes D'Art, F. Barbedienne, 1886, p. 60 The Romantics to Rodin: French Nineteenth Century Sculpture...