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Jean-Baptiste Boulard Furniture

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Creator: Jean-Baptiste Boulard
18th Century French Louis XVI Period Hand Carved Silk Armchair by JB Boulard
18th Century French Louis XVI Period Hand Carved Silk Armchair by JB Boulard

18th Century French Louis XVI Period Hand Carved Silk Armchair by JB Boulard

By Jean-Baptiste Boulard

Located in Sofia, BG

Rare authentic armchair made by Jean-Baptiste Boulard in the late 18th century. It is a very lovely piece hand carved and hand painted with great details upholstered in yellow to gol...

Category

Late 18th Century French Louis XVI Antique Jean-Baptiste Boulard Furniture

Materials

Wood

Louis Seize Children’s Chair by J. B. Boulard, France, circa 1770
Louis Seize Children’s Chair by J. B. Boulard, France, circa 1770

Louis Seize Children’s Chair by J. B. Boulard, France, circa 1770

By Jean-Baptiste Boulard

Located in Greding, DE

Gilt children’s chair by Jean Baptiste Boulard (1725-1789) standing on fluted tapered legs, with a reupholstered backrest and seat in white. Stamped at the bottom JB Boulard.

Category

1770s French Louis XVI Antique Jean-Baptiste Boulard Furniture

Materials

Giltwood

Pair of Louis XV Walnut Fauteuils En Cabriolet by Jean-Baptiste Boulard
Pair of Louis XV Walnut Fauteuils En Cabriolet by Jean-Baptiste Boulard

Pair of Louis XV Walnut Fauteuils En Cabriolet by Jean-Baptiste Boulard

By Jean-Baptiste Boulard

Located in Austin, TX

A lovely pair of Classic Louis XV fauteuils en cabriolet by Jean-Baptiste Boulard. The walnut frame features a restrained, overall curvilinear design that speaks to the refinement o...

Category

18th Century French Louis XV Antique Jean-Baptiste Boulard Furniture

Materials

Upholstery, Wood

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Located in Swedesboro, NJ

Dimensions - H: 34 1/2 in W: 23 1/4 in D: 26 in SH: 16 in Exceptional antique French Louis XVI armchair dating to the late 18th century, produced during the reign of Louis XVI, circa 1774–1792. A wonderful example of authentic 18th-century French seating furniture, this beautifully proportioned fauteuil retains the architectural elegance, refined carving, and neoclassical vocabulary that define the Louis XVI period. The chair is presented with an aged and distressed painted finish that beautifully reveals the passage of time, giving the frame an exceptionally authentic, collected appearance and allowing the underlying craftsmanship to remain visible throughout. The chair features a generously proportioned upholstered back and seat framed by a finely carved wooden structure. Its design is distinctly Louis XVI, with a restrained, symmetrical silhouette, rounded and architectural contours, carved detailing, and elegantly tapered fluted legs. The arms flow gracefully from the upholstered back into curved supports before terminating in sculptural hand-carved details at the front of the chair. The apron surrounding the seat is particularly handsome, decorated with a continuous architectural motif and accented by carved corner blocks and rosette ornament. These details are carried down into the legs, which feature elongated fluting and classical proportions characteristic of French Neoclassical furniture of the period. The distressed painted surface is one of the most appealing aspects of the piece. Rather than appearing artificially aged, the finish has the character of an antique frame that has accumulated generations of wear, with areas of rubbed paint, exposed underlying layers, discoloration, and natural surface variation throughout. The result is a wonderfully timeworn appearance that works exceptionally well in both traditional French interiors and more relaxed, collected spaces. The finish allows the chair to retain the elegance of a formal Louis XVI fauteuil while giving it the relaxed character sought after by today's designers and collectors. Particularly noteworthy is the presence of metal reinforcement brackets installed along the rear of the chair. These brackets appear to have been added during the late 19th century, most likely as a period structural repair intended to reinforce the frame and preserve the integrity of the chair after generations of use. Their presence is an interesting part of the object's history and serves as a reminder that this is an authentic antique that was used, maintained, and preserved over many decades. Rather than attempting to conceal these later reinforcements, we feel they contribute to the chair's story and provide visible evidence of its continued life well beyond the 18th century. The chair does exhibit losses and age-related imperfections consistent with its considerable age, including several missing carved rosettes at the tops of the legs, minor losses to the carved decoration, and age gaps visible at some of the frame seams. These conditions are clearly visible in the photographs and are appropriate to disclose for a piece of this age. Importantly, the chair will be professionally reviewed by our refinisher prior to leaving our facility to ensure that the frame is sturdy and structurally sound. Any necessary stabilization will be addressed, and the painted finish can also be carefully touched up if desired by the purchaser, while preserving the character and patina that make the chair so appealing. The Louis XVI period represents one of the most important transitions in the history of French furniture, moving away from the exuberant curves and asymmetry of the preceding Rococo toward the ordered symmetry and classical references of the Neoclassical movement. Furniture from this period frequently incorporated fluted legs, rosettes, architectural moldings, oval forms, and other motifs inspired by the art and architecture of antiquity. This armchair embodies that aesthetic beautifully, with its disciplined proportions and classical ornament softened by the natural wear and patina acquired over more than two centuries. What makes this chair particularly compelling is its authenticity. Unlike later reproductions or 20th-century Louis XVI-style furniture, this is a genuine 18th-century French chair dating from the Louis XVI period itself. The later structural reinforcement, areas of loss, aged paint, seam separation, and surface wear all contribute to a remarkably tangible sense of history. It is a piece that has survived through multiple generations and periods of changing taste, retaining the essential character of the period in which it was originally made. This antique French fauteuil would make an exceptional accent chair in a formal living room, library, bedroom, dressing room, entryway, or private study. It would also be equally at home incorporated into a larger collection of French antiques, paired with an antique Louis XVI writing desk, commode, console, or secrétaire, or used as a statement piece within a more contemporary interior. Its restrained neoclassical form makes it surprisingly versatile, while the distressed painted finish adds the warmth and individuality that designers often seek when creating layered European interiors. For collectors of authentic French antiques, Louis XVI furniture, French Neoclassical seating, antique fauteuils, painted French furniture...

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Pair of 18th Cent. French Armchairs by J. B. Boulard, Circa 1765
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Jean-Baptiste Boulard Two small carved beech wood armchairs Paris, circa 1765 Each measures: height 92 cm (43 cm to the seat) x 68 cm wide x 64 cm deep (in 36.22 x 26.77 x 25.19) lb 41.8 (kg 19) State of conservation: almost excellent. The wooden part is all original and has some signs of use; the pink velvet cover is modern. Jean-Baptiste Boulard (Paris, 1725-1789) was appointed Maître (he received the Maîtrise) in Paris on 17 April 1755. Along with Georges Jacob and Jean-Baptiste-Claude Sené, he is one of the most important French carvers of the second half of the 18th century. He developed a great reputation which allowed him both to supply a rich private clientele and to work regularly for the Garde-Meuble of the Crown starting from 1777. Some of his works are in the collections of the greatest international museums: in Paris at the Louvre Museums, le Musée des Arts Décoratifs and the Carnavalet, in London at the Wallace Collection, in Lisbon at the Calouste Gulbenkian Museum and in New York at the Metropolitan Museum of Art. The twin seats are sculpted and carved beech wood. The back has a wavy shape, slightly tapered at the bottom. Two armrests extend from the backrests, following an undulating course and finishing with a curl, before descending in an “S”-shaped curve toward the seat; the seat itself is wide and rests on four wavy legs ending with curled feet. A beautiful ornamental motif of skillfully carved rosettes stands out on the molding of the backrest and in the frontal part beneath the seats; some carved leafy twigs follow the curve and the movement of the wooden elements as they descend. Between the two rear legs, under the seat, the armchairs bear...

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Jean-baptiste Boulard furniture for sale on 1stDibs.

Jean-Baptiste Boulard furniture are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Jean-Baptiste Boulard furniture, although gray editions of this piece are particularly popular. Many of the original furniture by Jean-Baptiste Boulard were created in the Louis XVI style in france during the 18th century and earlier. If you’re looking for additional options, many customers also consider furniture by and Maurice Hirsch. Prices for Jean-Baptiste Boulard furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $6,500 and can go as high as $14,868, while a piece like these, on average, fetch $7,456.