Jean Michel Mathieux-Marie Art

Preston Cribb (English, 1876-1937) "Canterbury Gate Cathedral", Etching titled and signed in Pencil, 13.63 x 9.50 Framed (Image: 9.50 x 5.25), Early to Mid 20th Century Colors: Bla...

Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Horse and Woman Medium: Screenprint with Gold Paint, signed in pencil Edition: EA Size: 30...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

Venice, The Grand Canal, Illustrated London News: hand-colored wood engraving after drawings by Viscount Maidstone, published August 25, 1849 in The Illustrated London News, titled “...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts London with its double buses in the foreground and scenes of Paris in the background. Handwritten bottom left in pencil, original etching 206/295. Handwritten in pencil lower right, L. Marianne. Condition: Very good to excellent. Provenance: Sarasota, Florida estate. Certificate of authenticity verso (see photo). Professionally matted with a one inch solid oak frame in a medium walnut stain. Overall 24 by 19 inches. Marianne Almasy...

A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...