Jean Target

PRESENTING a BEAUTIFUL pair of, Asian inspired, mixed media pieces executed in ink, colored pencil and gouache by Robert Reinhardt Von Liski. Robert Reinhardt Von Liski (1908-1991) was a Prussian-American artist. Von Liski worked in Chicago as a commercial artist in advertising agencies and elsewhere, and did work for RCA Victor and Arrow Shirts...

Two-faced drawing. Studies of characters and harbor scene. With an inscription stating it is from the sketchbook in the collection of Dr. Manuel de Espirito Santo in Lisbon. Ink a...

Beautiful continuous line drawings by Jean Negulesco - Oscar award winning Hollywood director. Newly framed. 4 different variations available, priced individually: Black frame, sea foam green background, and black line drawing...

A beautiful set of three framed abstract drawings by artist, Anne Abueva, rendered in conté crayon on paper and framed in simple maple gallery fram...

A black ink and sepia wash drawing by French artist Jean-Baptiste Le Prince of a classical scene of Roman soldiers with camel signed and dated lower left. T...

1970s Indian religious ink drawing. It is part of a private collection.

Artist: Pedro Friedeberg (Mexican, 1936-) Title:Le Tombeau D'Hemingway Year: 1963 Medium: Ink and watercolor on paper: Size: 14 3/4 x 19 1/2 plus 3 inch frame Mark: upper lef...

1970s Indian paper drawing of a palace, part of a large private collection.

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

French Art Deco Watercolor of an Exotic Woman with Flower, Signed Chasquest, circa 1930 Vivid and alluring, this French Art Deco watercolor painting by Chasquest captures the confid...

Vintage Original Pencil and Charcoal Study A drawing after the original artwork by Honoré Daumier, French (1808-1879). The original, which constitutes No. 22 of ‘Les Gens de Justic...

Neue Sachlichkeit drawing by Beeldens, unframed, pencil & charcoal on paper. Neue Sachlichkeit (The New Objectivity). New objectivity painters infus...