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Jenny Holzer More Art

American, b. 1950

Known for taking art out of the traditional “white cube” of galleries and museums and onto the streets, Jenny Holzer is one of the most potent feminist Neo-Conceptual artists of the 20th century. Her most iconic work critiques the information age and consumerism by reclaiming its primary media — conventional print billboards, storefront posters and LED signs.

“I used language because I wanted to offer content that people — not necessarily art people — could understand,” the Ohio-born Holzer told Interview magazine. She received her MFA in painting from Rhode Island School of Design, where her work was influenced by Abstract Expressionism. It was while in the Independent Study Program at the Whitney Museum of American Art that Holzer became inspired to work at the intersection of public art and language.

In the late 1970s, after becoming an active participant in the downtown Manhattan artist collective Colab, which included Tom Otterness and Christy Rupp, Holzer began to create her legendary “Truisms” series. Printing anonymous one-line aphorisms in bold and italicized text on broadsheets, she pasted them up in public spaces all over New York City. The “Truisms” are provocative in questioning how we receive and process information. The work elicits debate and represents a range of perspectives. In an era that saw the rise of street art and graffiti, Holzer’s pithy word art would also find viewers by way of T-shirts, stickers and park benches, into which her slogans were carved.

Holzer’s more combative “Inflammatory Essays” (1979–82) took the form of mass-produced posters on colored paper — each featuring paragraphs as compared to the punch-line structure of “Truisms.” These touched on subjects such as violence, misogyny, power structures and consumerism, all of which have continued to be central in her work.

Starting in 1982 as part of a Public Art Fund project, Holzer projected “Protect me from what I want” and other “Truisms” on the Spectacolor board, a large computerized light signboard in New York City’s Times Square. Her “Abuse of power comes as no surprise,” which has appeared on T-shirts as part of the series, has taken on new life in an increasingly politically divided America.

Just as it did in the 1970s, the forcefulness of her work continues to make both viewers and the art world stop and pay attention. She has had solo exhibitions at the Brooklyn Museum, the Solomon R. Guggenheim Museum, the Tate Modern in London and elsewhere. She has also created permanent installations including the New York City AIDS Memorial. A 2014 show at New York’s Cheim & Read featured oil-on-linen canvases based on declassified government files pertaining to detainees from the Iraq and Afghanistan wars.

Find Jenny Holzer prints and sculptures on 1stDibs.

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Artist: Jenny Holzer
All Things Are Delicately Connected embroidered tea towel

All Things Are Delicately Connected embroidered tea towel

By Jenny Holzer

Located in Washington , DC, DC

Contemplate this though provoking statement with this tea towel designed by Jenny Holzer. Each tea towel is embroidered in the UK and made from 100% organic ...

Category

21st Century and Contemporary Contemporary Jenny Holzer More Art

Materials

Cotton, Organic Material

Selections from the Living Series: It is hard to know what people want...
Selections from the Living Series: It is hard to know what people want...

Selections from the Living Series: It is hard to know what people want...

By Jenny Holzer

Located in Beverly Hills, CA

Edition of 3 Acquired by current owner from Sotheby's Sale in 2021 Other works from this series have been acquired by The Whitney Museum of American Art, MOMA, National Gallery of ...

Category

1980s Contemporary Jenny Holzer More Art

Materials

Bronze

End of the USA
End of the USA

End of the USA

By Jenny Holzer

Located in Toronto, Ontario

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Category

1980s Conceptual Jenny Holzer More Art

Materials

Offset

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Jenny Holzer more art for sale on 1stDibs.

Find a wide variety of authentic Jenny Holzer more art available for sale on 1stDibs. You can also browse by medium to find art by Jenny Holzer in screen print, wood, cotton and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Jenny Holzer more art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Christopher Wool, Kerry James Marshall, and Jonas Wood. Jenny Holzer more art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $580 and tops out at $5,500, while the average work can sell for $685.
Questions About Jenny Holzer More Art
  • 1stDibs ExpertApril 5, 2022
    While the takeaway of Jenny Holzer’s art is subjective to each individual, her work focuses mainly on the delivery of words and ideas in public spaces with large-scale installations. Shop a selection of Jenny Holzer artwork and prints on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Jenny Holzer’s medium is visual arts, specifically conceptual art and installations. She draws on social and political commentaries to create her text-rich work. You can shop a selection of Jenny Holzer’s pieces from some of the world’s top art dealers on 1stDibs.