Jogen Chowdhury Sculptures

Bronze head sculpture realized by Giulio Aristide Sartorio, an Italian painter, sculptor and film director from Rome. Having attended the Rome Institute of Fine Arts, Sartorio presented a Symbolist work at the 1883 International Exposition of Rome. He made friendships with Nino Costa and Gabriele D’Annunzio, and associated with the painters and photographers of the Roman countryside. His period of greatest renown came at the beginning of the century, when he produced decorative friezes for the 5th Esposizione Internazionale d’Arte of Venice (1903), the Mostra Nazionale of Fine Arts (Milan, Parco Sempione...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing a cover on the handle. It is a lovely antique piece. Made in France. A halfcentury before they produced their first car, the Peugeot brothers were making coffee grinders, continuing to do so for over 100years. In 1840 the Peugeots produced their first moulin a cafe out of a combination of metal and wood. The beans were inserted into the metal hopper up top; metal gears were turned by a woodenknob-capped metal...

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

EDITION Monogrammed : FXL Dated : 2003 Numbered EA 2/4B Stamped with foundry mark : bocquel fd. PROVENANCE Marie Lalanne former collection, daughter of the artist. LITERATURE W....

Modern bronze sculpture of a skeletal lion resting on a slab of black polished granite. Beautiful patina on the bronze that accentuates the intricate details.

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

"Pullin Puffins" by Henk Jan Sanderman is a delightful and whimsical piece of surrealism that captivates with its playful concept and three-dimensional execution. The artwork feature...

"Bronze Bull" is an exquisite example of Morris Brose's abstract/figurative sculpture. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. "Bronze Bull" is a free-standing piece signed on the base. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Bronze sculpture of a wild mustang horse created by American artist Arnold Goldstein. This artwork has the signature and numbering inscribed. Numbered...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...