John Cohen Art

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Ted Higby at Skyline Rodeo, 1928 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. TITLE: Hepburn with a Dove 1966 PHOTO: Terry O’Neill SIGNED LIMITED EDITION (LAST AVAILBLE COPY OF THIS SIZ...

This is a unique work. Stamped on the reverse by The Andy Warhol Authentication Board, Inc. The Andy Warhol Foundation for the Visual Arts number also on verso. Authenticated by T...

This photograph features John F Kennedy sitting on the back of a convertible with US Representative George McGovern in what at first glance appears to be a parade route in South Dako...

Self-Portrait II - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on the Polaroid. Signed on back with Certificate. Not...

Edition of 3 Signed, titled and dated in pencil on print verso Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Mike Tyson is a legend even beyond the boxing world. This high-contrast black-and-white portrait shows a closeup of his face and chest in profile. He is holding a white dove in front of his face as if to kiss it. Contrasted by the dark background, the bird becomes the focal point of the image. The huge man holding it appears even bigger next to the small bird, yet his gentle gesture toward the bird gives the image a peaceful and meditative vibe. The saturated colors of the broiling desert against the piercing blue of the clear sky or the cool palette of an intimate black-and-white portrait, Michel Comte can do it all. The Swiss star...

Gelatin silver print Signed and numbered 11 x 14 inches (Edition of 20) 16 x 20 inches (Edition of 10) From the series, "Shoot the Arrow: A Portrait of The World Famous *BOB*" Thi...

This is a unique photographic work taken by Andy Warhol. Stamped on verso by the Andy Warhol Art Authentication Board. Provenance: Estate of the Artist to The Andy Warhol Foundatio...

On assignment for Life Magazine in 1950, Art Shay photographed Marlon Brando at his family farm in Libertyville, Illinois, just north of Chicago. Looking straight into Art's lens, Brando is innocent of the fame that is about to become his world. He went on to a career spanning sixty years including winning two Oscars for Best Actor. This photograph is unframed. Contact the gallery for framing options. Art Shay Brando Portrait, 1950 silver gelatin print 20h x 16w in 50.80h x 40.64w cm ASY12088 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet