John Collier Paintings

Antique 1850 Mexican colonial style oil on copper religious painting.

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

A Large and Magnificent Oil On Canvas Painting of King William III (1672–1702), After Sir Godfrey Kneller Step into history with this extraordinary large oil on canvas painting of...

17th century old master oil painting of Saint Bernard of Clairvaux. Spanish school. Dramatic expression and perfect use of chiaroscuro, the art of light and shadow effects, makes th...

A moody oil on canvas portrait "Bust of a Lady", by American artist William Skilling (1862-1964), depicting a classical female bust within a dark arched niche reserve. Executed in a ...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

Large impressive antique Chinese landscape painting, signed and framed under glass. Mixed media on paper, watercolor, ink and gouache.

A vintage original oil painting of a seascape, dated 1923. The painting shows a sandy shoreline, scattered rocks, wind-shaped trees, and calm water stretching toward the horizon. Presented in its original gilded frame, it is ready to hang. Painted in muted blue, green, and earthy tones, this is a striking piece that works well in a living room, hallway or study. The painting is signed by the Scandinavian artist Jørg. Groth and dated 1923. Period: 20th century, 1923 Material: Oil on canvas Frame: Original gilded frame Colours: Blue, green, brown, gold Signed: Yes, signed by the artist Jørg. Groth and dated 1923 Country of origin: Denmark Style: Vintage / European rustic Condition: Good vintage condition. Wear is consistent with age and use. The painting is in original condition and is ready to hang. Size with frame in inches: Height: 22 in Width: 29 in Depth: 1 in Size with frame in cm: Height: 57 cm Width: 74 cm Depth: 4 cm Like this piece? See similar paintings in my shop Key details Vintage seascape painting...

A beautiful and impressive large vintage oil painting of nudes. This is a superb piece, it is labelled on the back and was painted by Josephine ...

Gorgeous moody landscape by listed artist, Hermann Herzog, famous for his landscapes and seascapes as well as many views of Norway. Canvas sze 35 x 27.5 Beautiful giltwood frame. ...

A wonderfully large and vibrant landscape painting from France. Signed in the bottom right corner by the artist. Protected behind antique rolled glass...