John Cox Dillman Engleheart Picture Frames

Beautiful gold leaf antique wood frame. Measures: 27”.25 x 19”.5.

An original British School Regency Period watercolor portrait, mounted in a Georgian Period fruitwood frame – Dated 1834. These watercolors were largely painted by young girls fro...

19th century Roman painter Still life with cherubs, flower festoons and herma with faun Measures: Oil on canvas, cm H 78 x W 95 without frame Cm H 122.00 x W 106 x D 8 with frame. The work, painted in oil on canvas, octagonal in shape, represents a nature with three putti or cupids playing with flower festoons in a wooded environment in which is placed a herma with faun and, on the left, a large neoclassical marble vase...

Found in France, an oil on linen landscape painting, mounted in a wide, gold-leafed wood frame, signed and dated 1919. Painted by the French artist Marc Mongin, the scene is typic...

Italian oval oil on board gilt carved wood portrait of a gentleman in the original floral and berry frame, 18th century.

Henry John Yeend King, R.B.A., V.P.R.I., R.O.I., (1855-1924), the painting is of Brendon Near Lynton, North Devon, Signed "Yeend King" Lower left, and sign...

A wonderfully atmospheric Orientalist painting depicting everyday life in a North African town, circa 1930. Rather than showing a grand monument or an idealised landscape, this char...

A brightly colored 19th century French school still life of field flowers Signed J. Levy, lower Left. The painting measures: 25 5/8" inches ...

Y. Gianni (Italian) The Gulf of Naples, 19th Century. A beautiful signed "Y. Gianni" gouche on paper, framed and matted with description & name on matti...

An exceptional and rare matching pair of late Victorian miniature wall frames containing antique tinted portraits, circa 1890. Each frame is meticulously crafted from gilded brass, f...

Coelestin Brugner (German 1824-1887), a landscape with a stork by the water, oil on canvas, signed (lower right), The painting measures 9 3/8"-inches high x 12 3/8"-inches wide, fram...

American oil on canvas portrait of seated young lady in the original gilt wood floral flame, New York, Mid-19th century.

Venetian school of the beginning of the 18th century Architectural Capriccio with classic ruins and oriental figures Oil on canvas, cm 115 x 152 with frame; cm 98 x 136 canvas The p...

American portrait oil on canvas of a young ship captain holding a spyglass with a sailing ship, crew in rowboat, and gulls in lower background mounted in the original decorative gilt...

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...