John Linnell

A superb pair of George III polychrome decorated open armchairs, attributed to Gillows, Circa 1785 in date. Each is superbly decorated with hand painted garlands, ribbon tied foliate trails, patera, bellflower pendants and demi-lune fan medallion. The chairs have shield shaped back with vertical medallion splats raised on square tapering front legs and splayed rear legs. They are beautifully upholstered in a cream floral patterned and buttoned fabric. Footnotes: A virtually identical mahogany open armchair, albeit one with carved rather than polychrome detailing to its frames, is illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. I, 2008, Woodbridge, pl. 124, p. 165. A closely comparable design appears alongside, with the description: 'The five-splat chair...

We are delighted to offer this stunning pair of original circa 1860-1870 Napoleon III Louis XVI style bergère armchairs which are part of a suite These chairs come with a matchin...

With oval upholstered backs and bowed upholstered seats raised on circular tapered legs. In the manner of John Linnell.

Of very generous scale with arched upholstered back joined by leaf carved down swept arms ,upholstered seat and raised on carved cabriole legs ending on scroll feet. Clever and convi...

Each with straight back and pierced splat with classical painted decoration over a caned seat with loose cushion. Square tapered legs. Seat Depth 18.75

Magnificent Pair of George III Giltwood Armchairs, England, c. 1785, attributed to B. Harmer and based on a design by Thomas Sheraton. Green upholstery with carved gadroon crest rail...

A fine set of four George III neo-classical giltwood armchairs. The shield shaped backs surmounted by a ribbon motif and finials to the uprights, the armrests terminating in acanthus...

Rich chocolate leather George III style arm chairs having dark mahogany frames with a aged patina and handpainted floral decoration. The upholstery is new and finished with handsome...

A Pair of Magnificent Giltwood Armchairs. Each magnificent throne chair with oval padded back encircled by an elaborate cresting carved with flowering acanthus, oak branches, and fleurs-de-lis. The top rail with two putti holding an armorial star-shaped cartouche with the interlaced L's of Louis XVIII, King of France, titled ‘Bordeaux 12 Mars 1814’, beneath a crown. This armourial cartouche is the Order of the Armband of Bordeaux. The open arms with padded armrests above exuberantly carved sculptural terminals depicting dragons with human faces. The shaped seat rail with ribbon and rocaille ornament and to the front with a star representing the Décoration du Lys. On cabriole legs. Upholstered in flower pressed blue velvet. France, Circa 1820/30. These magnificent throne chairs commemorate an important event in the Bourbon Restoration precipitating the fall of Napoleon I. They celebrate the surrender of the city of Bordeaux to royal power and to King Louis XVIII (1755-1824), heralding the fall of the first Empire (1804-1815). The Duc d'Angoulême (1775-1844), nephew of Louis XVIII and elder son of Charles X, entered the city of Bordeaux to the acclaim of the crowd on 12th March 1814. Louis XVIII later called it ‘the happiest event of my life’ and on the 29 September 1820 named the heir to his throne, not—like previous Bourbon heirs—Duc de Bretagne, or de Bourgogne, but the Duc de Bordeaux. This armourial cartouche to the top rail of these chairs is the Ordre du Brassard de Bordeaux (The Order of the Armband of Bordeaux). It was adopted for the Royal Guard and volunteers who accompanied the Duc d'Angoulême when he entered Bordeaux on 12th March 1814. It was officially called the Brassard de Bordeaux, or Brassard Vert. At first it consisted of a silk band of green with white borders, worn, as the name signifies, on the arm, but was later adapted as a medal with oval gilt sunburst on which is superimposed an oval medallion of white enamel bearing the royal monogram ‘L.L.’, and surrounded by a green enamelled band with the words ‘BORDEAUX 12 MARS 1814’. The whole is surmounted by the royal crown. In 1824 the issue of the Brassard de Bordeaux was controlled by the Royal Order of...

A fine Napoleon III Carved Giltwood Armchair In The Manner of Michel-Victor Cruchet. This fine fauteuil is richly carved with foliage, shells and 'C'-Scrolls and is upholstered 'a chasis' with floral Beauvais tapestry. The generous proportions, ornamentation and the modified Louis XV style of this grand fauteuil is in the manner of Michel Victor Cruchet who supplied related chairs to the Duke of Nemours for the Pavillon de Marsan in 1842. French, circa 1850. Michel-Victor Cruchet Michel-Victor Cruchet (1815-1899), was a celebrated sculptor, carver and ornamentalist. Working with the cabinet-makers Ringuet-Leprince, Thuiller and Maigret he was a supplier of the Garde-meuble providing many pieces of furniture to the households of both King Louis-Philippe and Emperor Napoleon III. Important commissions included audience seating for the Duke of Nemours at the Pavillon de Marsan, in a neo-Louis XV style; Gothic furniture for the Tuileries Palace for Princess...

21st Century George III style giltwood armchair C.O.M. Two available, sold individually.

Pair of 18th century Chinese Chippendale-style armchairs with newly upholstered seats and backs in green damask fabric. This pair of chairs features blind fretwork on the arms and le...