John Linnell

A superb pair of George III polychrome decorated open armchairs, attributed to Gillows, Circa 1785 in date. Each is superbly decorated with hand painted garlands, ribbon tied foliate trails, patera, bellflower pendants and demi-lune fan medallion. The chairs have shield shaped back with vertical medallion splats raised on square tapering front legs and splayed rear legs. They are beautifully upholstered in a cream floral patterned and buttoned fabric. Footnotes: A virtually identical mahogany open armchair, albeit one with carved rather than polychrome detailing to its frames, is illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. I, 2008, Woodbridge, pl. 124, p. 165. A closely comparable design appears alongside, with the description: 'The five-splat chair...

A very nice and super rare "The Surfer" magazine reprint from 1973 of the original "Surfer Magazine" published in 1960 by surf industry pioneer John Severson. The piece is in good condition with light creasing to cover; stress marks to spine; light foxing and shelf-wear to back cover; all pages / staples are intact and secure. The magazine measures 11"W x 8.5"H. Super cool piece of surf history! #3176 JOHN SEVERSON John Severson, well known as the creator of the internationally acclaimed SURFER Magazine, grew up surfing off the beaches of Southern California. He began his career as a painter, selling his first works while finishing his Master’s Degree at Long Beach State College. In the ’50s he became the first person to create a large body of art relating to the Hawaii-California surf culture. Since then he has provided a steady output of oil paintings, watercolors, drawings, and prints. In 1958, John used his art, photography, and surfing passion to create a popular surf movie series. His films included SURF SAFARI, SURF FEVER, BIG WEDNESDAY, and PACIFIC VIBRATIONS. Severson's smash hits posters from the ’50s and ’60s, remain collector favorites. As a surfer, Severson was known for riding big waves, and for his innovative performance style in big surf. In 1961, he won the Peru International Surfing Championships and was a finalist in the U.S. and Hawaiian Championships. With the founding of SURFER, John’s art focused on the magazine and graphics. His painting “Surf Bebop” was selected as the outstanding cover painting of 1963 by Communication Arts. Surfer During the ’60s, he authored two surf books...

We are delighted to offer this stunning pair of original circa 1860-1870 Napoleon III Louis XVI style bergère armchairs which are part of a suite These chairs come with a matchin...

To our knowledge, this study is the only known image of this mural, created by John Garth to show an idealized Man at work and at play, all nude or semi-nude, and accompanied by anim...

This finely carved chair made from costly imported mahogany exhibits many special details including a molded arch back with a pierced baluster shaped splat, shaped arms and graceful cabriole legs headed by atheneum and leaf-shaped carving. All the carving is very fine and the color is its original faded color which is so lovely and special. The chairs generous proportions make it comfortable and easy to use. Condition Disclosure: While we do our best to carefully inspect and give a full report on the condition of any item we sell, pointing out any repairs or alterations that may have been done to the best of our knowledge, as is the case with any antique and vintage item, there is a possibility that at some point in the life of the piece that there may have been damaged which has been professionally repaired and as such a repair undetectable, it is therefore impossible for us to disclose... we recommend that you also read and agree to the 1st dibs user agreement...

This monumental 1920s oil on canvas, The Bathers, reinterprets William-Adolphe Bouguereau’s renowned 1884 masterpiece through the distinctive vision of Swedish-born artist Eric John ...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

19th century Scottish hunting painting.

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the...

Magnificent Pair of George III Giltwood Armchairs, England, c. 1785, attributed to B. Harmer and based on a design by Thomas Sheraton. Green upholstery with carved gadroon crest rail...

A Pair of Magnificent Giltwood Armchairs. Each magnificent throne chair with oval padded back encircled by an elaborate cresting carved with flowering acanthus, oak branches, and fleurs-de-lis. The top rail with two putti holding an armorial star-shaped cartouche with the interlaced L's of Louis XVIII, King of France, titled ‘Bordeaux 12 Mars 1814’, beneath a crown. This armourial cartouche is the Order of the Armband of Bordeaux. The open arms with padded armrests above exuberantly carved sculptural terminals depicting dragons with human faces. The shaped seat rail with ribbon and rocaille ornament and to the front with a star representing the Décoration du Lys. On cabriole legs. Upholstered in flower pressed blue velvet. France, Circa 1820/30. These magnificent throne chairs commemorate an important event in the Bourbon Restoration precipitating the fall of Napoleon I. They celebrate the surrender of the city of Bordeaux to royal power and to King Louis XVIII (1755-1824), heralding the fall of the first Empire (1804-1815). The Duc d'Angoulême (1775-1844), nephew of Louis XVIII and elder son of Charles X, entered the city of Bordeaux to the acclaim of the crowd on 12th March 1814. Louis XVIII later called it ‘the happiest event of my life’ and on the 29 September 1820 named the heir to his throne, not—like previous Bourbon heirs—Duc de Bretagne, or de Bourgogne, but the Duc de Bordeaux. This armourial cartouche to the top rail of these chairs is the Ordre du Brassard de Bordeaux (The Order of the Armband of Bordeaux). It was adopted for the Royal Guard and volunteers who accompanied the Duc d'Angoulême when he entered Bordeaux on 12th March 1814. It was officially called the Brassard de Bordeaux, or Brassard Vert. At first it consisted of a silk band of green with white borders, worn, as the name signifies, on the arm, but was later adapted as a medal with oval gilt sunburst on which is superimposed an oval medallion of white enamel bearing the royal monogram ‘L.L.’, and surrounded by a green enamelled band with the words ‘BORDEAUX 12 MARS 1814’. The whole is surmounted by the royal crown. In 1824 the issue of the Brassard de Bordeaux was controlled by the Royal Order of...

With oval upholstered backs and bowed upholstered seats raised on circular tapered legs. In the manner of John Linnell.