David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
Oil
$1,650
H 41 in W 35 in
Victorian Oil Painting, Rural View Near Guildford, Surrey, British Landscape
By George William Mote
Located in Cheltenham, GB
US buyers pay no import tariffs on this item. This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an exten...
Canvas, Oil
$3,500
H 20 in W 18 in
19th century English fishing boats off the English coast by Dover Castle, Kent
Located in Woodbury, CT
William Thornley (British, 1857–1935) Fishing Boats off the Coast near Dover, Kent, circa 1890 Oil on canvas Signed lower left ⸻ A classic late 19th-century English coastal scene ...
Canvas, Oil
$2,765Sale Price|30% Off
H 18.5 in W 23.5 in
French 19th century Fall River landscape, with later afternoon sunlight
By William Baptiste Baird
Located in Woodbury, CT
French 19th century Fall River landscape, with later afternoon sunlight, Autumn trees and River bank flowers. William Baptiste Baird was born in Chicago, moving to Paris in the 1870s where he spent most of his working life. He exhibited both in Paris, at the Salon des Beaux-Arts and at the Royal Academy in London from 1877 to 1899. In 1877 he gave his address as 47, Bloomsbury Square, London; in 1879 as 20 Cheyne Row...
Oil
$1,684Sale Price|30% Off
H 14.5 in W 18.5 in
Antique British Marine Oil Painting Tantallon Castle Scotland Coastal Sunset
Located in Cirencester, Gloucestershire
Tantallon Castle, Scotland *see notes below by William Anslow Thornely (British, 1847-1907) signed oil painting on panel, framed framed: 14.5 x 18.5 inches panel: 8 x 12 inches Provenance: private collection, England Condition: overall very good condition William Anslow Thornley (1847–1907) was a British maritime and landscape painter known for his atmospheric seascapes and coastal scenes. He worked primarily in oils and watercolors, often depicting harbors, ships, and the changing moods of the sea. Thornley was skilled at capturing the effects of light and weather, particularly in twilight and moonlit settings, which added a romantic and serene quality to his works. Although not much is widely known about his personal life, Thornley's style reflects the influence of British Romanticism and the Victorian...
Oil
$2,437Sale Price|25% Off
H 15 in W 14 in
19th century English landscape with trees, a Harvest Field during Summertime
Located in Woodbury, CT
19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...
Oil, Wood Panel
$6,950
H 34 in W 29 in
19th century English fisherman out fishing at sunset or sunrise, with boat
Located in Woodbury, CT
Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...
Canvas, Oil
$1,512
H 11 in W 17 in
Fine Victorian English Oil Painting Coaching Scene Horses & Carriage signed
Located in Cirencester, Gloucestershire
The London to Brighton coach circle of Charles Henry Cooper Henderson, British 19th century signed indistinctly lower right corner oil on board, framed framed: 11 x 17 inches board: ...
Oil
$2,420Sale Price|20% Off
H 26 in W 30 in D 1 in
Fine Large Antique Scottish Oil Painting Mother & Daughter in Highland Landscape
Located in Cirencester, Gloucestershire
The Highland Path Scottish School, circa 1830's, unsigned Oil painting on canvas, unframed canvas: 26 x 20 inches condition: very good and ready to hang provenance: from a private co...
Canvas, Oil
$1,347Sale Price|30% Off
H 14 in W 18 in
Figures Playing on the Ice Traditional Dutch Winter Scene Signed Oil Painting
Located in Cirencester, Gloucestershire
"On the Ice" Dutch School, 20th century signed oil on board, framed framed: 14 x 18 inches board: 13 x 17 inches provenance: private collection, UK condition: very good and sound con...
Oil
$1,540Sale Price|30% Off
H 23.5 in W 32 in
Fine Victorian English Oil Painting Cottages in Winter Snow Landscape Oil
By Victorian School
Located in Cirencester, Gloucestershire
Winter Landscape English School, 19th century oil on canvas , framed framed: 23.5 x 32 inches canvas : 16 x 24 inches Provenance: private collection, the Cotswolds, England Condition...
Oil
$3,465Sale Price|30% Off
H 26 in W 36 in
19th century English rural landscapes, with goats by a river and people
Located in Woodbury, CT
LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...
Canvas, Oil
$6,326
H 21.5 in W 29.5 in D 2.5 in
19th Century landscape oil painting of a Sussex harvest field at sunset
By Walter Williams
Located in Nr Broadway, Worcestershire
Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...
Canvas, Oil
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H 37.25 in W 28 in
Magnificent C19th Oil Painting of Babylonian Nobleman with a Hunting Cheetah
By John Rogers Herbert
Located in London, GB
John Rogers Herbert TA, HRI (1810-1890) The Hunting Cheetah Signed, inscribed and dated ‘J.R. Herbert R.A./Paris 1853’ (lower left) Oil on canvas 37 ¼ x 28 inches, 47 1/4 x 38 inches inc. frame In the original frame Provenance Thomas Agndew & Sons Sir Edward Bates, Gyrn Castle, North Wales This striking portrait shows a Babylonian nobleman returning from a hunting expedition with his cheetah and its catch - a gazelle - which, from its distinctly curved horns and dark body stripe, can be identified as a Thomson’s Gazelle. The painting is important in a historical context as it dates from the time when archaeological findings, and their dissemination around the Western world, ensured that public fascination with Mesopotamia reached its height. Herbert was a painter of portraits, historical genre and landscapes. His early work showed a preponderance of subjects derived from Italian history, following his visit to that country in 1836. These early compositions tend to be characterised by high drama and contraposto figurative groups, such as Pirates of Istria carrying off the Brides of Venice (1839). However during the 1830s he made contact with the Nazarenes, a German group of painters who cultivated a sharp-edged, flat style. Herbert’s aesthetic became more Nazarence in tendency (with its juxtaposition of decorative surfaces, The Hunting Cheetah, dated 1853, demonstrates the longevity of their influence). 1840 proved a seminal year for Herbert personally as he converted to Catholicism, much as a result of his friendship with the architect and man of letters Augustus Welby Pugin (1810-1852). It was Pugin who created the magnificent frame in which The Hunting Cheetah is presented. In the ensuring decades Herbert concentrated on religious subjects and submitted Pope Gregory Teaching the Boys to Sing (1846) as his Royal Academy diploma work. The same year he was one of the selection of artists chosen to decorate the interior of the New Palace of Westminster, and his contributions included nine Old Testament scenes...
Oil