David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
Oil
$4,792
H 20 in W 22.5 in D 3.5 in
Historical genre oil painting of two gentlemen sat in a garden
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men are shown drinking wine and eating fruit at a linen covered table...
Oil, Panel
$2,937
H 31 in W 45 in
Tranquil Victorian Pastoral Landscape Cattle in Meadows Children Fishing Stream
Located in Cirencester, Gloucestershire
The Young Anglers Attributed to William Underhill (act.1848-1870) British. oil on canvas, unsigned, framed framed: 31 x 45 inches canvas: 23.5 x 37 ...
Oil
$3,067Sale Price|20% Off
H 32 in W 50 in D 3 in
A Figure on a Path. An English landscape signed O T Clark. Oil on canvas
Located in St. Albans, GB
Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...
Oil
$2,054
H 20 in W 30 in D 1 in
Loch Keepers Cottage Scottish Oil Painting on Canvas, Victorian, 20x30 inches
By Joel Owen
Located in Cirencester, Gloucestershire
The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1925) oil painting on canvas: 20 x 30 inches condition: overall very good and presentable, pronounced crinkling to...
Canvas, Oil
$2,015
H 20 in W 30 in D 1 in
Highland Loch Cottage Majestic Antique Scottish Landscape Oil Painting
Located in Cirencester, Gloucestershire
Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) signed with the artists pseudonym oil on canvas, unframed canvas: 20 x 30 inches provenance: private colle...
Canvas, Oil
$6,421
H 21 in W 27 in D 2 in
Victorian Maritime Oil Painting Shipping and Fisherfolk off Rotterdam Coast
By James Webb
Located in ludlow, GB
Nineteenth Century Victorian Marine Oil Painting on Canvas of Boats and Fisherfolk off the Coast at Rotterdam. "Fishing Boats, Rotterdam" 14 by 20 inches, Oil on Panel, Signed and Framed. JAMES WEBB...
Oil
$1,506
H 11 in W 17 in
Fine Victorian English Oil Painting Coaching Scene Horses & Carriage signed
Located in Cirencester, Gloucestershire
The London to Brighton coach circle of Charles Henry Cooper Henderson, British 19th century signed indistinctly lower right corner oil on board, framed framed: 11 x 17 inches board: ...
Oil
$6,298
H 21.5 in W 29.5 in D 2.5 in
19th Century landscape oil painting of a Sussex harvest field at sunset
By Walter Williams
Located in Nr Broadway, Worcestershire
Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...
Canvas, Oil
$3,279
H 39.5 in W 36 in
Huge European Antique Oil Painting Merchants & Ships in Ancient Trading Port
Located in Cirencester, Gloucestershire
Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School, unsigned oil on canvas, framed framed...
Oil
$6,367
H 21.5 in W 47.25 in D 3.25 in
19th Century coastal townscape oil painting of Cannes, France
By Edward Henry Holder
Located in Nr Broadway, Worcestershire
Edward Henry Holder British, (1847-1922) The Port of Cannes Oil on canvas, signed & dated (18)95 Image size: 14 inches x 39.75 inches Size including frame: 21.5 inches x 47.25 inche...
Oil, Canvas
$5,000
H 20 in W 26 in
"Algerian Market" Antique Orientalist Oil Painting of North African City Street
By Alexis Auguste Delahogue
Located in Austin, TX
Canvas Size: 20 x 26 in. Frame Size: 27 x 33 in. Signed and dated, bottom left. A masterful example of Orientalist art, capturing the sun-drenched atmosphere of North Africa with an...
Canvas, Oil
Ezekiel in the Valley of Dry Bones
By Philip Burne-Jones
Located in New York, NY
Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...
Canvas, Oil
Sold
H 37.25 in W 28 in
Magnificent C19th Oil Painting of Babylonian Nobleman with a Hunting Cheetah
By John Rogers Herbert
Located in London, GB
John Rogers Herbert TA, HRI (1810-1890) The Hunting Cheetah Signed, inscribed and dated ‘J.R. Herbert R.A./Paris 1853’ (lower left) Oil on canvas 37 ¼ x 28 inches, 47 1/4 x 38 inches inc. frame In the original frame Provenance Thomas Agndew & Sons Sir Edward Bates, Gyrn Castle, North Wales This striking portrait shows a Babylonian nobleman returning from a hunting expedition with his cheetah and its catch - a gazelle - which, from its distinctly curved horns and dark body stripe, can be identified as a Thomson’s Gazelle. The painting is important in a historical context as it dates from the time when archaeological findings, and their dissemination around the Western world, ensured that public fascination with Mesopotamia reached its height. Herbert was a painter of portraits, historical genre and landscapes. His early work showed a preponderance of subjects derived from Italian history, following his visit to that country in 1836. These early compositions tend to be characterised by high drama and contraposto figurative groups, such as Pirates of Istria carrying off the Brides of Venice (1839). However during the 1830s he made contact with the Nazarenes, a German group of painters who cultivated a sharp-edged, flat style. Herbert’s aesthetic became more Nazarence in tendency (with its juxtaposition of decorative surfaces, The Hunting Cheetah, dated 1853, demonstrates the longevity of their influence). 1840 proved a seminal year for Herbert personally as he converted to Catholicism, much as a result of his friendship with the architect and man of letters Augustus Welby Pugin (1810-1852). It was Pugin who created the magnificent frame in which The Hunting Cheetah is presented. In the ensuring decades Herbert concentrated on religious subjects and submitted Pope Gregory Teaching the Boys to Sing (1846) as his Royal Academy diploma work. The same year he was one of the selection of artists chosen to decorate the interior of the New Palace of Westminster, and his contributions included nine Old Testament scenes...
Oil