John Steck Figurative Sculptures

Tabletop sculpture of torch cut steel and applied patina by artist James Bearden. This complex work features a Kinetic or mobile element on the top portion.

Brutalist sculpture in Marcello Fantoni's style, 50s. Made of copper metal cut with a torch and welded together the pieces that form it, creating a body of purely brutalist phantasma...

Signed vintage mid-century brutalist metal art sculpture by William Friedle, circa 1960s. William worked with his brother, Bruce Friedle creating u...

A striking early work by John Balossi (1931–2007), this 1967 welded steel sculpture draws you in with its bold, geometric form and commanding presence. Th...

Curtis Jere "Windswept" Brutalist Sculpture, Brass and Marble Offered for sale is a vintage Curtis Jere Brutalist "Windswept" sculpture on a black marble base. This brass sculptur...

Brutalist wall sculpture of patinated metal. Monumental Brutalist wall sculpture of patinated metal inspired by Silas Seandel. Fabulous large Brutalist abstract wall sculpture of patinated metal in the manner of Silas Seandel/Curtis Jere/Tony Melendy...

This exceptional 1960s Brutalist still life sculpture is a masterful testament to mid-century studio craft, presenting a powerful interplay of industrial raw metalwork and organic botanical form. As beautifully captured in photos, this piece is meticulously hand-forged, showcasing an array of highly stylized flowers, spiky starburst flora, and textured wheat-like stalks rising elegantly from a faceted, geometric iron vase. Each blossom is intricately constructed with individual layered metal petals, jagged cut edges, and torch-cut brazed brass accents at the centers that catch the light, adding a brilliant flash of warmth to the dark, moodier iron patina. For critical collector provenance, this important mid-century work is signed "Bob Schmitz" in a striking gold script on the reverse side of the vase. Vase is 6.75"h x 6.25" x 6.25" Embodying the rebellious, texture-heavy spirit of the Brutalist art movement, this hand-forged sculpture celebrates raw construction with its exposed welds, torch-hewn edges, and multi-toned oxidation. Cleverly engineered for both stability and customizable display, the heavy metal flower rods are held securely in place by a dense sand filling on the inside of the vase, allowing the dramatic bouquet to maintain its striking arrangement. The faceted exterior features beautifully visible seams and a mottled, fire-kissed surface patina that transitions seamlessly from dark charcoal tones to deep copper hues, accented by the artist's gold signature. A commanding and deeply textural decorative statement, this mid-century studio sculpture by Bob Schmitz makes an incredible centerpiece for a Brutalist or mid-century modern interior. Born in Illinois, Bob Schmitz was a skilled Midwestern craftsman who learned the intricacies of welding and traditional metalworking directly from his grandfather, a professional blacksmith. He eventually took over his family's historic forge, successfully transitioning the traditional shop into specialized, custom fabrication and independent studio design. Operating in the true spirit of the mid-century American Studio Craft movement, Schmitz hand-forged, torch-cut, and built his pieces individually by hand rather than relying on mass factory production. This meticulous, bench-work approach explains the highly customized, one-of-a-kind engineering seen in his work, such as using a dense sand filling inside the vase to balance and secure the heavy metal flower rods. Active during the 1960s and 1970s boom in torch-cut metal art, Schmitz utilized heavy, industrial materials like iron, brass, and copper to create dramatic, highly textured interpretations of nature. Because he was a dedicated regional craftsman who prioritized individual studio artistry over large-scale commercial gallery contracts, surviving examples of his large-scale sculptural work remain exceptionally rare to find on the open market today. Bob Schmitz, Mid-Century Studio Craft, Brutalist Flower Sculpture...

Gerber daisy flower Antique copper Hand repoussé Limited edition Each piece is individually crafted and is unique. Repoussé is the traditional art...

Whimsical metal owl sculpture, hand-sculpted, circa 1970s.

A vintage pair of hand carved soapstone vases with a dragon motif.

Sculpture Desert Samuraï entirely made of rubber from new tires, hand-sculpted, hand-assembled tires. Exceptional and unique piece.

A unique Anne Van Kleeck bronze, table top sculpture of abstracted figures, dancers perhaps. From the artist's estate. A note about the artist: Anne Van Kleeck was primarily known for her works in cast bronze and ceramics. She attended Ohio Wesleyan University (B.A.) and Ohio State University (M.A.) and spent several years as a professor of art in Ohio and Florida. In 1957, Anne traveled to Venice, Italy to study bronze and lost wax casting, beaten iron and mosaic techniques. During that stay she employed an Italian foundry expert and together they established a small foundry on the island of Murano where they cast bronzes for her one woman show in Venice. Van Kleecks work has won multiple awards and is owned worldwide by private collectors and museums, including the Metropolitan Museum and MOMA in New York. She was contemporaries of and exhibited with Ruth Asawa, Gary Knox Bennett...