Jon Carsmans

Print With Lippezaner Horses And Riders In Vienna Titled "Levade" lower left. Pencil signed lower right, numbered 175/299 lower left. Finely framed in gilt wood. sight 17 x 22 3/4", ...

Antique Framed Oil Painting on Canvas by Euphrasia Loutchinsky (1887-1974) is a particularly impressive work showcasing the artist's talents. She was born in St.Petersburg and gradu...

A haunting and poetic composition from artist Louis Shields, "Orpheus" is a limited edition archival print from the artist's 2018 Dancer Series. The original mixed-media painting on ...

A tranquil, gorgeously composed, quite large limited edition print by American artist Will Barnet. The print is pencil signed, titled, dated (1980) and numbered (256/300) by the artist. This is one of Barnet's most sought after images. Clearly, a standout work. The print has been professionally framed. Framed dimensions: 30" H, 45.5" W, 1.75" D Barnet studied at the Boston Museum of Fine Arts School and then at the Art Students League in New York. He is the recipient of the following awards: Artist's Lifetime Achievement Award Medal The College Art Association’s Lifetime Achievement Award The Philadelphia Academy of Fine Art’s Lippincott Prize The American Academy and Institute of Arts and Letters’ Childe Hassam Prize. His work can be found in many permanent collections including: Albright-Knox Art Gallery Art Institute of Chicago Corcoran Gallery of Art Solomon R. Guggenheim Museum Metropolitan Museum of Art Museum of Modern Art Museum of Fine Art, Boston National Gallery of Art Phillips...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

A wonderful abstracted cityscape by George Dergalis painted in 1974. Not signed but accompanied by a copy of a letter from Margaret Dergalis identifying and authenticating it. Recent...

Print Digital archival print on Moab Entrada 335 gsm Measures: 16.00 x 13.00 in 40.6 x 33.0 cm Edition of 50 This work comes with a signed Certificate of Authenticity. In partnership with Maison de...

Photograph Inkjet print Measures: 14.59 x 24.00 in 37.1 x 61.0 cm Edition of 50 This work comes with a Certificate of Authenticity. This Artspace edition print supports the Stanlee and Gereald Rubin Center for the Visual Arts' 10th anniversary featuring artists who engage in disruptive, alternative, and collective interactions with space and space technology. This print by Tomás Saraceno...

Photograph Photograph taken with a digital single-lens reflex camera and printed with archival pigments on fine art rag paper Measures: 30.00 x 40.00 in 76.2 x 101.6 cm Edition...

1974 French Impressionist Abstract Still-life Painting by Farmor Offered for sale is a signed 1974 abstract French impressionist table-scape still life painting signed Farmor. The p...

Print: Full color digital archival print on Epson Hot Press Natural 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 This work will come with a signed and numbered archival label adhered to the back of the print, (2019) Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. One of the most celebrated painters of her generation, Dana Schutz...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...