Jonathan Casey Art

This suspended concrete head sculpture is framed by an asymmetric chestnut wood structure, combining a figurative portrait with the geometry of construction. In Proxecto 23, José Pe...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

Concrete Head Unique Figurative Abstract Geometric Figure Grey Contemporary In Stock Concrete head is a figurative, abstract, geometric, figure, grey po...

Canadian sculptor WW Hung has chosen another poignant and powerful pose to explore the human condition in this contemporary mixed-media piece. A nude male sit...

In exquisite detail, William Hung’s contemporary sculptures explore both human physicality and emotion, often capturing figures in motion. This dynamic ...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

This wall-mounted concrete portrait head combines a pale gray face with projecting chestnut wood beams, bringing sculptural figuration into dialogue with architecture. In Proxecto 1...

This dark gray concrete female bust merges a human portrait with an ascending cityscape of houses, windows and geometric architectural volumes. In LarA 013, José Perozo allows the b...

This ceramic and chestnut wood sculpture transforms a human head into a house, combining a pale sculptural roof with an intimate architectural interior. In Fogar I, José Perozo plac...

This architectural sculpture combines a white ceramic head with a chestnut wood house, opening the portrait into an interior defined by arched windows. Fogar II is one of two relate...

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

Knight of Healing 615 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze, has a pedest...

Focused on the target is a sculpture by contemporary artist Pavlína Kvita. Glass fiber reinforced concrete, 33.5 × 31.5 × 5.5 in (85 × 80 × 14 cm). This work is sold with a certifi...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...