Jonathan Richardson, the Elder Art
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Portrait of Mary Hooper née Davie, Blue Dress, Seated in a Parkland, Provenance
By Jonathan Richardson the Elder
Located in London, GB
Portrait of Mary Hooper (née Davie) in a Blue Dress & Seated in a Parkland c. 1715–1725
Jonathan Richardson the Elder (1667–1745)
This portrait, presented by Titan Fine Art, is of p...
Category
18th Century Old Masters Jonathan Richardson, the Elder Art
Materials
Canvas, Oil
Winged Griffin Gesso Antique Looking Jonathan Richards Neoclassical Iron Mirror
By Jonathan Richardson the Elder
Located in Swedesboro, NJ
This striking Jonathan Richards neoclassical iron mirror captures the elegance and grandeur of classical design with a unique artistic flair. Featuring a hand-finished gesso surface ...
Category
Early 2000s European Neoclassical Revival Jonathan Richardson, the Elder Art
Materials
Wrought Iron
$1,596 Sale Price
20% Off
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Collections:
Philip Gell (1775–1842), Hopton Hall, Derbyshire;
By inheritance at Hopton Hall to his daughter, Isabella, who married William Pole Thornhill, who renounced Hopton and its contents in favour of his kinsman, Henry Chandos-Pole-Gell (1829–1902);
By descent to his son, Brigadier General Harry Chandos-Pole-Gell (1872–1934), who sold Hopton Hall in 1918 and moved the family to Newnham Hall, Northamptonshire;
By descent to his son, Lt Colonel John Chandos-Pole (1909–1993), Newnham Hall;
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By descent to 2015;
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The Poet Judith Madan (1702-1781)
By Jonathan Richardson the Elder
Located in Bath, Somerset
Portrait of the English poet Judith Madan (1702-1781), standing three-quarter length in a classical landscape wearing an oyster coloured gown with blue cloak, holding her quill beside a classical bas-relief of the muses. Inscribed lower left ' Mrs Judith Cowper 1721 AET 21'. Further inscription lower centre right 'CAEIO', the Greek name for Clio, the muse of history, writing and poetry. Oil on canvas in a giltwood 'Lely' style frame.
Dimensions: 151 x 127cm (59 1/2 x50in)
Provenance:
Property of the Minnesota Historical Society from the Mary Griggs Burke Collection. By descent through the family of the sitter until sold at Christies London, May 1930 by Rev. Henry Madan-Pratt, sold to Collins.
Judith Madan was the fifth child and only daughter of the judge and MP Spencer Cowper (1670-1728) and his wife, Pennington (1665, d.1727) of Hertingfordbury Park, Hertfordshire. From her mid-teens she composed verse, mainly in heroic couplets, inspired by the poets she was reading. She is likely to have met the poet Alexander Pope whilst sitting for a pastel portrait by his friend Charles Jervas and in the years 1722-3 she conducted a literary correspondence with him who encouraged her writing. He wrote and sent her a poem 'To a Lady on her Birthday' which he also sent to another Lady he admired, Martha Blount. Her work incliuded 'The Progress of Poetry' (1721) surveying English poets from Chaucer to Pope which was included in 'The Flower Piece' published in 1731 and re-published as a separate poem as late as 1783. In 1721 she wrote 'Abelard to Eloisa' which was a response to Pope`s 'Eloisa to Abelard'. She wrote less after her marriage in 1723 to Colonel Martin Madan who was the Groom to the Bedchamber to Frederick, Prince of Wales and MP for Wootton Bassett, by whom she had nine children. She was praised in John Duncombe's 'Feminiad' (1754) and some of her work appeared in 'Poems by Eminent Ladies '(1755) edited by George Colman and Bonnell Thornton. In 1769 'Letters of the Late Alexander Pope, Esq. to a Lady' appeared for the first time in print, though Madan, the addressee, was not named. She died in London and was buried in Grosvenor Chapel in Grosvenor Square, leaving much unpublished material. Her nephew was the poet William Cowper.
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