Jonathan Shearer Art

In this abstract landscape painting, a captivating scene unfolds on a canvas brought to life by layers of oil paint. Against a deep black background, a juxtaposition of elements emer...

Jack Kleinberg (1946 – 2022), oil on canvas, 29”x 70”, estate stamped, unframed Jack Kleinberg was a well known scene painter in New Orleans, and was known as an eccentric artist w...

A timeless snapshot of a Suffolk landscape including the wonderful and rare sight of wheat stooks. Presented in a most attractive hand made frame. Roy connelly (Contemporary) Wheat ...

A timeless snapshot of a Suffolk landscape looking towards Stoke by Nayland, an area where John Constable would have painted a couple of centuries before. Presented in a most attract...

This painting was created using layered washes of black acrylic as a backdrop, with bold applications of oil paint and oil sticks worked energetically across the surface. It depicts ...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Distant Dreams is an oil painting created using oil, acrylic, and gold leaf on canvas by British artist Charlotte Aiken. Aiken responds to her environment through her use of paint, w...

​Helen Taylor Par Avion Oil on canvas 100 x 76 cm Unframed Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the...

Peter Lyons’s technique approaches photographic realism, but the precision in his paintings is an attempt to communicate a state of awareness, rather than ...

Scorched shows and intensely heated landscape with the sun hovering overhead. Plant life struggles to stay alive in this hot climate and the plants he...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water d...