Jordi Freixas Cortes Paintings

Working in the Fields by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 21 x 26 inches very good condition provenance: from the a...

Sur la Plage by Josine Vignon (French 1922-2022) signed lower right oil painting on canvas, unframed canvas: 20 x 25.5 inches Colors: Yellow gold and warm colors, red, blue and ora...

Banks of the Seine, Vernon (near Giverny, Normandy) French School, signed and dated 1991 oil on canvas, framed framed: 24.5 x 27.5 inches canvas : 18 x 21 inches Provenance: private ...

Mediterranean Harbor Scene French School, signed oil on canvas, unframed Canvas : 20 x 24 inches Inscribed verso, dated 1974 Provenance: private collection, Paris Condition: very goo...

Beautiful oil on canvas painting by the French artist, Henri Alexis Schaeffer. This painting is a wonderful example of his work from the prime o...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

Louis Jacques VIGON (1897-1985) Neige à Saint Martin de Boscherville Oil on canvas Size: 60 x 81cm Signed lower left. Titled on the back Provenance : - Tuffier Gallery, Les Andelys...

Artist/ School: Constant Dore (French 1883-1963), signed lower corner Title: The Village Street. Beautiful quality work showing influence from the Pont-...

The Fishing Harbor French School, mid 20th century signed oil on canvas, framed in original frame framed: 22 x 18.5 inches canvas: 18 x 15 inches provenance: private collection, Fran...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Apres Midi by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 38 x 31 inches canvas: 34x 28 inches Very good condition ...