Jörg Pietschmann Natural Specimens

A large unique bronze sculpture by Antonio Kieff (b. 1936) entitled "Motivo Espanol," dated 1985. The sculpture is also numbered 1 of 1.  

'Clovis in Amethyst' is a unique tall glass sculpture by the British artist James Devereux. Refinement and daring combine within this statuesque sculpture. Poised upon a museum-qu...

Extraordinary wall-mounted sculpture featuring a hand-wrought iron structure of a citrus tree with Murano glass oranges and lemons inset into the tree. ...

One-of-a-kind sculpture, The Runner, in hand-brazed and textured bronze by Philip & Kelvin LaVerne, American 1970's (signed "Philip + Kelvin LaVerne" on ba...

Viridian is a unique handcrafted green, amber and aqua fused glass hanging sculpture by the British artist Amy Cushing. A breathtaking hanging installation...

Set of 4 abstract totemic sculptures by Antwerp based Artist, Jorg Van Daele. Each from a single piece of Belgian bluestone, the works feature an array of techniques including stippl...

Ice Vug in Turquoise I is a unique handblown sculpture by the British artist Samantha Donaldson. A charming ethereal sculpture with a glacier white ...

Stratiform Aerugo 1.0.001 is a unique hand-blown glass vessel with fine white filigree cane detail created by the British artist Liam Reeves. Hand blown in bright lime green glass, the interior has a mirrored finish, which results in a beautiful metallic effect. The entire piece is finally sandblasted creating a soft satin, diffused finish. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Presenting a unique pair of contemporary art painted fiberglass boy sculptures signed… by the artist … we think “Laqi”. These sculptures are a pair of the ‘cutest’ pieces of contemporary sculpture that we have seen for a while. We really wish we could identify and learn more about the artist, but what we do know is that these belonged to a former artist and art and collectibles dealer in New Orleans. She treasured these and they came with her to Dallas. She was very active in the New Orleans art scene in the early 1990s. The sculptures appear to also have a practical function as planters. One features a boy’s denim jeans and waistcoat in a standing position and the other a boy’s denim overalls in a seated position. Both are made of fiberglass which has been painted and textured. Exceptional detail to the outfit. Right down to the buttons and clasps and the sneakers and shoelaces. Mottled green and black in color. We cannot find anything quite like these anywhere!! Specific provenance: These sculptures were acquired by Ms. Naomi Baggett in or circa 1990-1999. Originally from North Carolina, an Air Force Veteran and JAG Advocate, Ms. Baggett after her service moved to New Orleans and worked as a paralegal until setting up and operating an Art & Curiosities Store in the famous New Orleans Hotel Montleone between 1990 and 1995. Her store was called ‘Baggetelle’. It was featured in various industry magazines and hotel documentation. The store specialized in selling miniature French Quarter Houses which were used as jewelry boxes. Ms. Baggett was an artist herself and handmade and hand painted these houses along with a partner. She received orders for these miniature houses...

Frank Schillo. “Ausschnitte,” 2008. Impressed artist’s signature to underside. Dated. Each part ca. 21.8 in. h x 11.2 in. w x 4.2 in. d

Panicum in Indigo and Pale Turquiose is a unique glass sculpture in purple and soft blue coloured glass by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (Britis...

'Enchanted Dawn in Blues II' is a unique glass tree sculpture by the British artist, Louis Thompson. With both his Enchanted Dawn and Dusk collections, Thompson brings a joyous an...

‘Soft Lines in Pink' is a unique glass sculpture by the Danish artist, Maria Bang Espersen. Maria Bang Espersen works around the idea that all things are malleable, like glass, and that nothing can be permanently defined. Her experimental sculptures are therefore not only an approach but also a statement; one that states to never get caught up in the restrictive norms or to obey established hierarchies. Essentially, her works in glass, are a play with the possibilities of the material and an attempt to expand the viewer’s understanding of her chosen medium. Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement. Her chosen candy confectionery colour palette entices and draws the onlooker towards the artwork, which deliciously glisten. Espersen studied glass and ceramics at Engelsholm Højskole, in Denmark, continuing her studies at the Kosta School of Glass in Sweden, The Royal Danish Academy of Design, and Haystack Mountain...

'Kelp' is a unique glass sculpture by the British artist, Nina Casson McGarva Casson McGarva firstly casts her glass in a flat mould where she introduces all of the beautifully de...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...