Josef Ehm

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

John Kacere nude prints, American, circa 1970s. The top print measures 18.25" H x 27.5" W. The bottom left measures 15" H x 23" W. The bottom right measures 14.75" H x 22" W. They ha...

"Photograph of a Grecian bust" is a cyanotype print by John Dugdale, edition 2/6. The print is 16" x 20" matted and framed to 24" x 27.5".

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Andy Warhol, Joe Dellasandro, ‘Trash’, 1968 (1978), Black & White Photograph. Large silver gelatin print. Printed in 1978. Provenance: Archive of After Dark Magazine, New York. T...

Another original 8 x 10 black-and-white photograph by world, renowned photographer, Bruce Bellas AKA Bruce of L.A. we have sold many on 1st Dibs from our personal collection of 40+ y...

Jill Freedman Kissing FDNY 1976, black & white photo on Kodak Endura, Signed. Image also known as ‘Brotherly Love.” This is a black and white photogr...

Black and White Photograph of Female Nude Artist, Subject and Date are Unknown "Nude" in the style of Alfred Stieglitz image 10.75" x 13.75" - mounted matte: 16" x 20" "matte is l...

Biker in a mirror black and white photograph Gravure print by Burk Uzzle 1980 Gravure print (1984, France). Burk Uzzle is an American photojournalist, previously member of Mag...

Artist: Greg Gorman (American, b. 1949) Title: Rex and Gregory, 1988 Gelatin silver print Image size: 18.75 x 14.75 inches Paper size: 19.75 x 15.875 inches Frame size: 24.8 x 1...

A beautiful, very alluring sepia-toned silver gelatin photograph of a nude woman in a pose quite reminiscent of Ruth Bernhard's photo Spanish Dancer. Wonderfully designed and printe...

Late Victorian golf photograph. A sepia toned late Victorian Colonial golf photograph of a group of male golfers, the group containing a few children. The gentlemen are wearing an assortment of clothing, some in caps, some in bowler hats, a couple with top hats, one gentleman wearing a military uniform with medals. The golf clubs they are holding are early wooden scared head long nose hickory clubs, the sort made by the great Scottish clubmakers like Tom Morris, Willie Park, Alex Patrick, Charlie...