Josef Hoffmann Vases

1920s. Silver footed bowl by famed designer Josef Hoffman and Wiener Werkstatte. Hoffman is a prolific designer who helped to cement the design of the Secessionist era. Werkstatte wa...

These small sized lights have been rewired for USA. Wall or ceiling light with opaline glass, pictured in brass, designed for the Viennese trams. We are selling them individually in ...

Big Jugendstil nickel wall lamp with opaline glass shade vienna around 1910 Very beautiful opaline glass shade Rare model

Josef Hoffmann hexagonal wastebasket or umbrella stand Originally designed in 1905, edition Bieffeplast circa 1980s Gitterwerk structure in black perforated steel with original lab...

Art Deco Glass Vase attr. to Josef Hoffman for Moser. Realized in Austria in 1930s.

This striking Art Deco glass vase is executed in a refined smoked gray (grey) tone and features a bold faceted, architectural form closely associated with early 20th-century Central ...

This elegant vase was designed by famous Italian architect Ettore Sottsass in 1962. It is in white clay and its geometric shape with a white finish is adorned with a series of parall...

A jewel-like work of metalcraft by Josef Hoffmann, this footed brass bowl (model M sh 18), designed for the Wiener Werkstätte around 1925, brings tog...

Sgraffito vase from 1920 by Josef Ekberg for Gustavsberg, Sweden. Flower motif in Swedish Jugend (or Art Nouveau) style decorates the vase in blue shades. Designer signature with the...

Very large ceiling lamp – designed by Josef Hoffmann in 1905 for the Villa Steiner in Vienna. Manufactured by Kalmar in the 1960s. Perfect solid brass work with typical Kalmar mounti...

A brass and white fabric wall light designed by Josef Frank and produced by Svenskt Tenn, Sweden, c. 1960s. Very light oxidation to arm and socket. Overall Dimensions (Inches): 9” ...

Gabriella Crespi signed brass chalices 1970 midcentury Italian Dimensions: 3.5 in diameter, 7 in height, base 3 in. About Gabriella Crespi (Designer) Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago. Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines. She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table...