Josef Marc Plotast Paintings

"Twilight of History" is an original oil on board painting by Frederick Shane (1906-1992), created in 1947. This captivating piece depicts a powerful scene reflecting the "twilight" ...

MOONLIT SEA Size: 34 x 47 cm (including frame) Oil on board An atmospheric mid-century abstract coastal landscape, executed in oil onto board. The composition presents a seascape w...

'Les Alpilles Range in Provence', oil on panel, by Auguste Chabaud (1951). This artwork depicts the chain of the 'Little Alps', which is a small range of low mountains in Provence, F...

Olof Thunman Moonlit Night Signed Olaf Thunman lower right Oil on canvas laid on board 10 5/8 x 10 5/8 inches Provenance: Shepherd Gallery, New York Private Collection, New York Est...

Mountain Lake - Mid Century Modern Landscape with Heavy Impasto in Oil Idyllic landscape by L. Hutchings (20th Century). Dramatic mountains rise over a blue lake, partially reflecte...

ECHOES OF THE COAST Size: 31 x 35.5 cm (including frame) Oil on board A dynamic yet serene mid-century modernist coastal landscape painting, executed in oil onto board. The compos...

Peck Slip, 1950, oil on cardboard, 15 x 20 inches, exhibition label verso reads: “Oil on cardboard, 20 x 15, 1950 / Title: Peck Slip / Price: $100 / Artist and Owner: Fiske Boyd / 30...

DRIFT AND THOUGHT Size: 35 x 44 cm (including frame) Oil on board A mid-century modernist painting that presents a tranquil seaside scene, executed in oil onto board. The painting ...

VILLAGE PATHWAY Size: 71 x 49.5 cm (including frame) Oil on board A striking mid-century modernist painting that captures a female figure walking along a village pathway, gracefully...

Albert Roca (1945) - Sailor playing the accordion oil on board painting Medidas óleo 62x46 cm. Medidas marco 73x57 cm. Painter of landscapes and figures, ...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

Oil on cardstock painting of oil tankers docked in port along with people dockside on a bright clear day by the Long Island American artist, Whitney Myron H...