Joseph Henderson R.S.W Paintings

Smoothly cruising through the marshes on a private catboat, as the sun is setting, couldn't be more memorable. The exquisitely colored sunset in values of yellow to pink to lavender...

1 Technique The paintings are painted with a palette knife and a brush on canvas. 2 Topic He paints beautiful landscapes with great love. Puts all his experience and skills. U...

This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an extensive view across the Surrey countryside near Gu...

Artist/ School: British School, late 19th/ early 20th century Title: Mother & Daughter walking along the coastal path, with the sea beside them. Medium: oil painting on canvas, f...

Paul-Emile Perboyre French, (1851-1929) The Surrender Oil on canvas, signed & dated 1916 Image size: 20.5 inches x 25 inches Size including frame: 26.25 inches x 30.75 inches A well...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 26.25 INCHES X 37.25 INCHES** Frederick Henry Howard Harris British, (1829-1901) Volunteer Rifl...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

George Turner British, (1843-1910) Harvesting near Barrow-on-Trent Oil on canvas, signed & dated (18)86, further inscribed verso Image size: 19.25 inches x 29.25 inches Size includ...

To summer in Cap Ferrat, in the south of France, just across the border from Monte Carlo, is comparable to living in a Faberge egg, with all of the intricate detailing and elegance one might dream of! Jutting out into the turquoise Mediterranean Sea, the peace and privacy of the best and the brightest is discreetly protected whether of the royal family or the international jet set and intelligentsia! Master artist Jim Rodgers has been painting for more than 35 years, having studied at both the highly respected Art Students League of NYC as well as the Ridgewood Art Institute of New Jersey. His work has been acknowledged by numerous publications including American Art Collector. His work is represented in the collections of Pfizer Corporation, The Rockefeller Trust and many other noteworthy corporate and private collections. This French impressionist marine landscape is framed in an antique gold wood...

Edward Henry Holder British, (1847-1922) The Port of Cannes Oil on canvas, signed & dated (18)95 Image size: 14 inches x 39.75 inches Size including frame: 21.5 inches x 47.25 inche...

This mid-19th-century oil painting, attributed to English artist George Clarkson Stanfield (1826-1878), depicts a small vessel approaching a shipwreck, close to the coast. Stanfield ...